The lights were down and all eyes were focused on Cinderella, one of
the prettiest and daintiest little actresses in London, dressed in pink
and sitting before a very realistic make-belief of a kitchen fire,
when Miss Dawkins, who had her elbows resting on the balustrade and
was leaning well forward, heard a faint ejaculation from close beside
her. Fearing lest her mother was ill, she turned sharply round, and was
somewhat surprised to see that Mrs. Dawkins had left her seat and was
leaning against the wall of the box with her arms folded and a most
satirical smile on her face. Both the attitude and the expression were
so entirely novel that Miss Dawkins could only conclude that her mother
had suddenly taken leave of her senses; and she was deliberating what
to do, when a feeling that a sudden metamorphosis was about to take
place held her spellbound. Bit by bit her mother seemed to fade away,
to melt into the background; the dim outline and the general posture
remained, but instead of the actual body and well-known face, she
saw something else gradually begin to form and to usurp their place.
Her mother had very delicate and beautifully shaped hands, but these
vanished, and the hands Miss Dawkins now looked on were large and red
and coarse--horribly coarse. Fearful of what she might see next, but
totally unable to fight against some strange, controlling agency, she
continued to look. First, her eyes rested on a pair of sleeves--white,
baggy, and soiled; then on a broad, deep chest, also clad in white
and decorated in the most fantastic manner conceivable in the centre;
then on a short, immensely thick neck; and then on the face. The shock
she now received was acute. Instinct had prepared her for something
very startling, but for nothing quite so grotesque, nor so wholly
at variance with the general atmosphere of the theatre. It was the
painted, crinkled face of a clown--not a merry, jesting grimaldi, but
a clown of a different type--a clown without a smile--a clown born
and fully trained to his business in Hell. As he stood there glaring
at the footlights, every feature, every atom of his person breathed
out hate--hate of a nature so noxious and intense that it seemed to
Miss Dawkins as if the very air were poisoned by it. Being a devout
Catholic, she at once crossed herself and, although almost powerless
with horror, began to pray. The face then faded till it entirely
disappeared, and Miss Dawkins once again found herself gazing upon the
well-known countenance of her mother.
"Why are you standing?" she asked.
Public-domain text, read in full here on John Shaqi.
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