"Davy, she afterwards informed me, soon got on her nerves. Always when
she went out she caught him covertly peeping at her from behind the
window curtain of the little front parlour; and if ever she stood for
a moment to chat with his mother, she could see him slyly watching her
through a chink in the doorway. She had seldom, so far, met him out of
doors; but as she was returning from a walk one afternoon, she came
across a group of village children shouting at and jostling someone
very roughly in their midst, and approaching nearer saw that the
object of their abuse was Davy, and that, in addition to pushing and
pummelling him, they were tormenting him with stinging nettles--a very
favourite device of the children in this district. Filled with disgust,
rather than pity (Beryl, like most modern girls, is wanting in real
sentiment, and in this instance simply hated to think that anyone could
derive amusement from so ungainly a creature), she interfered.
"'You abominable little wretches!' she cried. 'Leave him alone at once.
Do you hear?'
"Had a bomb fallen, the children could not have been more surprised.
One or two of the boys were inclined to be rude, but on the rest the
effect of Beryl's looks and clothes (the latter in particular) was
magical. Gazing at her open-mouthed, they drew back and allowed Davy to
continue his way.
"After this, Davy peeped more than ever, and Beryl, losing patience,
determined to put a stop to it. Catching him in the act of following
her through the fields one morning, she turned on him in a fury.
"'How dare you?' she demanded. 'How dare you annoy me like this? Go
home at once.'
"'This is my home, lady,' Davy replied, his eyes on the ground and his
cheeks crimson.
"'Then you must choose some other route,' Beryl retorted; 'and for
goodness' sake don't be everlastingly looking at me. I can't stand
it. No wonder those children rounded on you, you----' She was going
to call him some very strong name--for Beryl when roused didn't stick
at trifles--but suddenly checked herself. She began to realise that
this queer, distorted little object was in love with her. Now no girl
in London, probably, had more admirers than Beryl. Peers, politicians,
authors, men of all vocations and classes had succumbed to her beauty,
and she had deemed herself pretty well blasé. But here was a novelty.
A poor, ostracised rustic hunchback--the incarnation of ugliness and
simplicity. 'You know how the horrible often fascinates one,' she
said to me later, 'for instance, a nasty tooth, or some other equally
horrible defect in a person's face, which one keeps on looking at
however much one tries not to--well, it was a fascination of this kind
that possessed me now. I felt I must see more of the hunchback and egg
him on to the utmost.'
Public-domain text, read in full here on John Shaqi.
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