Haw-Ho-Noo; Or, Records of a TouristLanman, Charles
History
Haw-Ho-Noo; Or, Records of a Tourist
Lanman, Charles
Fishing -- North America; United States -- Description and travel
The first, second, and last of these paintings are the best of the
series, not only in the poetry they portray, but in their execution. The
style is more varied and natural, and has less the appearance of paint
than many of the artist’s later productions. As to the third and fourth
paintings, the conception of both is exceedingly fine and poetical, but
they are deficient in execution. The architecture is admirably done, but
the numerous figures which it was necessary to introduce, are poorly
drawn and arranged; and there is a feebleness in the effect. It would
be, perhaps, too much to ask that an artist should be a great painter of
scenery, and also a master of the human figure. As a whole, however, the
Course of Empire is a work of art worthy of any nation or any painter.
These pictures were painted for the late Luman Reed, at a cost of eight
thousand dollars, but are now the property of the New York Gallery,
which institution owes its existence to Mr. Reed, whose collection of
pictures formed the foundation thereof.
The next work to which we would call the attention of our readers is
called “_The Voyage of Life_.” It is a series of four pictures,
allegorically portraying the prominent features of man’s life, viz:
childhood, youth, manhood, and old age. The subject is one of such
universal interest, that it were almost impossible to treat it in an
entirely original manner, but no one can deny that the conception of the
painter displays a high and rare order of poetic power.
In the first, we behold the dawn of a summer morning. A translucent
stream is issuing from an unknown source, out of a deep cavern in the
side of a mountain. Floating gently down the stream, is a golden boat,
made of the sculptured figures of the Hours, while the prow is formed by
the present hour holding forth an emblem of Time. It is filled with
flowers, and on these a little child is seated, tossing them with his
upraised hands, and smiling with new-born joy, as he looks upon the
unnumbered beauties and glories of this bright world around him; while a
guardian angel is at the helm, with his wings lovingly and protectingly
extended over the child. Love, purity, and beauty emanate like incense
from the sky, the earth, and water, so that the heart of the gazer seems
to forget the world, and lose itself in a dream of heaven.
Public-domain text, read in full here on John Shaqi.
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