Haw-Ho-Noo; Or, Records of a TouristLanman, Charles
History
Haw-Ho-Noo; Or, Records of a Tourist
Lanman, Charles
Fishing -- North America; United States -- Description and travel
A few fleeting years are gone, and behold the change! The Stream of Life
is widened, and its current strong and irresistible, but it flows
through a country of surpassing loveliness. The voyager, who is now a
youth, has taken the helm into his own hands, and the dismissed angel
stands upon the shore looking at him with “a look made of all sweet
accord,” as if he said in his heart, “God be with thee, thoughtless
mortal!” But the youth heeds not his angel, for his eyes are now riveted
by an airy castle pictured against the sky, dome above dome, reaching to
the very zenith. The phantom of worldly happiness and worldly ambition
has absorbed the imagination and eager gaze of the wayward voyager, and
as he urges his frail bark onward, he dreams not of the dangers which
may await him in his way. To the boat, only a few flowers are now
clinging, and on closer observation we perceive that the castle in the
air, apparently so real, has only a white cloud for its foundation, and
that ere long the stream makes a sudden turn, rushing with the fury of a
maddened steed down a terrible ravine. The moral of the picture it is
needless to elucidate.
Another change, and lo! the verge of a cataract and a fearful storm. The
rudderless bark is just about to plunge into the abyss below, while the
voyager (now in the prime of manhood) is imploring the only aid that can
avail him in the trying hour, that of heaven. Demoniacal images are
holding forth their temptations in the clouds around him, but he heeds
them not. His confidence in God supports him, the previous agony of his
soul is dispelled or subdued, by a reflection of immortal light stealing
through the storm, and by the smiles of his guardian angel, visibly
stationed in the far-off sky.
The Voyage of Life is ended, and our voyager, now white with hoary
hairs, has reached that point where the waters of time and eternity
mingle together—a bold conception, which is finely embodied by the
daring genius of the painter. The hour-glass is gone, and the shattered
bark is ready to dissolve into the fathomless waters beneath. The old
man is on his knees, with clasped hands and his eyes turned heavenward,
for the greenness of earth is forever departed, and a gloom is upon the
ocean of eternity. But just above the form of our good voyager is
hovering his angel, who is about to transport him to his home; and, as
the eye wanders upward, an infinite host of heavenly ministers are seen
ascending and descending the cloudy steps which lead to the bosom of
God. Death is swallowed up in life, the glory of heaven has eclipsed
that of the earth, and our voyager is safe in the haven of eternal rest.
And thus endeth the allegory of Human Life.
Public-domain text, read in full here on John Shaqi.
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