Haw-Ho-Noo; Or, Records of a TouristLanman, Charles
History
Haw-Ho-Noo; Or, Records of a Tourist
Lanman, Charles
Fishing -- North America; United States -- Description and travel
To the left, a straight and narrow path takes its way up a rugged gorge,
down which there beams a silvery light from a bright cross in the sky.
The path at first leads off through fields of real flowers, betokening
the early part of the Christian life, neither difficult nor uninviting.
In the distance a dark mist, hovering over the track, conceals from the
advancing wayfarer the real difficulties of his journey, and betokens
the sorrows which of necessity befall him. To the right, a gracefully
winding way leads down into a gently undulating and pleasant vale.
Stretching forward through delightful landscapes, it finally fades away,
and leaves the eye to wander on to the dim pinnacles and domes of a
great city. A golden light falls through an atmosphere of repose, and
lends warmth, softness, and beauty, as well to crag and precipice as to
the rich valley. By-paths, serpent-like, steal up upon the sunny slopes
of the mountain, inviting the traveler to the enjoyment of the prospect
and the coolness of the waterfall.
Vegetation of unnatural growth, and gorgeous and unreal flowers skirt
the borders of the way.
At the foot of the mountain stands Evangelist with the open Gospel. A
little in advance are the waters, symbolical of Baptism.
Two youths, companions in the travel of life, having come to the parting
of their road, are affectionately and earnestly directed to the shining
cross. While one, through the power of truth, enters with timid steps
upon his holy pilgrimage, the other, caught by the enchantment of the
earthly prospect, turns his back upon Evangelist and the Cross, and
speeds forward upon the pathway of the world.
In the second picture we have a wild mountain region now opening upon
the beholder. It is an hour of tempest. Black clouds envelop the
surrounding summits. A swollen torrent rushes by, and plunges into the
abyss. The storm, sweeping down through terrific chasms, flings aside
the angry cataract, and deepens the horror of the scene below. The
pilgrim, now in the vigor of manhood, pursues his way on the edge of a
frightful precipice. It is a moment of imminent danger. But gleams of
light from the shining cross break through the storm, and shed fresh
brightness along his perilous and narrow path. With steadfast look, and
renewed courage, the lone traveler holds on his heavenly pilgrimage.
The whole symbolizes the trials of faith.
In the third picture the beholder looks off upon an expanse of tranquil
water. On the right are the gardens of pleasure, where the devotees of
sensual delights revel in all that satiates and amuses. Near a fountain,
whose falling waters lull with perpetual murmurs, stands a statue of the
goddess of Love. An interminable arcade, with odorous airs and delicious
shade, invites to the quiet depths of a wilderness of greenery and
flowers. A gay throng dances upon the yielding turf, around a tree, to
the sound of lively music. Near an image of Bacchus, a company enjoys a
luxurious banquet.
Public-domain text, read in full here on John Shaqi.
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