Hawthorne, Nathaniel, 1804-1864 -- Friends and associates; Novelists, American -- 19th century -- Biography
"I should be a little afraid of her embracing me outright--a thing to be
grateful for, but by no means to be glad of!" We drove one day to some
excavations which had just been opened near the tomb of Cecilia Metella,
outside the walls of Rome. Both Christian and Roman graves had been
found, and they had been so recently discovered that, as my father
observed, there could have been very little intervention of persons
(though much of time) between the departure of the friends of the
dead and our own visit. The large, excavated chambers were filled with
sarcophagi, beautifully sculptured, and their walls were ornamented with
free-hand decoration done in wet plaster, a marvellous testimony to the
rapid skill of the artists. The sarcophagi were filled with the bones
and the dust of the ancient people who had once, in the imperial prime
of Rome, walked about her streets, prayed to her gods, and feasted at
her banquets. My father remarked on the fact that many of the sarcophagi
were sculptured with figures that seemed anything but mournful in their
demeanor; but Mrs. Jameson said that there was almost always, in
the subject chosen, some allusion to death, instancing the story of
Meleager, an Argonaut, who, I think, slew the Calydonian boar, and
afterwards his two uncles, who had tried to get the boar's hide away
from Meleager's beloved Atalanta; whereupon the young hero was brought
to death by his mother, who in turn killed herself. It is one of the
most thoroughgoing of the classic tragedies, and was a favorite theme
for the sculptors of sarcophagi. Certainly, in the sarcophagi of the
Vatican the bas-reliefs are often scenes of battle, the rush of men and
horses, and the ground strewn with dead; and in others, a dying person
seems to be represented, with his friends weeping along the sides of the
sarcophagus; but often, too, the allusion to death, if it exists at all,
is very remote. The old Romans, like ourselves, had individual ways of
regarding the great change; according to their mood and faith, they were
hopeful or despairing. But death is death, think of it how we will.
Public-domain text, read in full here on John Shaqi.
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