Hawthorne, Nathaniel, 1804-1864 -- Friends and associates; Novelists, American -- 19th century -- Biography
I think it was on a previous occasion that I went with my father, afoot,
along this same mighty Appian Way, beside which rise so many rounded
structures, vast as fortresses, containing the remains of the dead of
long ago, and culminating in the huge mass of the Cecilia Metella tomb,
with the mediaeval battlements on its summit. And it was on that walk
that we met the calf of The Marble Faun: "A well-grown calf," my father
says in his notes, "who seemed frolicsome, shy, and sociable all at the
same time; for he capered and leaped to one side, and shook his head, as
I passed him, but soon came galloping behind me, and again started aside
when I looked round." How little I suspected then (or the bull-calf
either, for that matter) that he was to frolic his way into literature,
and go gambolling down the ages to distract the anxious soul of the
lover of Hilda! Another walk of ours was to the huge, green mound of the
Monte Testaccio; it was, at that period, pierced by numerous cavities,
in the dark coolness of which stores of native wines were kept; and
they were sold to customers at the rude wooden tables in front of the
excavations, in flasks shaped like large drops of water, protected with
plaited straw. When, nowadays, in New York or other cities here, I go to
an Italian restaurant, I always call for one of these flasks, and think,
as I drink its contents, of that afternoon with my father. It was the
first time I had been permitted to taste a fermented liquor. I liked it
very much, and got two glasses of it; and when we rose to depart I was
greatly perplexed, and my father was vastly tickled, to discover a lack
of coherence between my legs and my intentions. It speedily passed off,
for the wines are of the lightest and airiest description; but when, a
little later on in life, I came to read that Horatian verse describing
how, turning from barbaric splendors such as the Persians affect, he
binds his brows with simple myrtle, and sips, beneath the shadow of his
garden bower, the pure vintage of the native grape, I better appreciated
the poetry of the theme from having enjoyed that Testaccionesque
experience.
Public-domain text, read in full here on John Shaqi.
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