One day, as Helen Le Mesurier was exhibiting the little beauty to a host of admiring friends, with a wistful and slightly apologetic manner, in which attitude she vainly sought to veil her pride, Hubert, her husband, was struck with a sudden thought. Hastily quitting the room, unnoticed, he sped in some excitement to the picture-gallery, situate in the west wing of the great house. Too impatient to brook the delay of unbarring the heavy shutters, he seized and lighted a lamp, which he held at arm’s length above his head, as he eagerly and swiftly scanned row upon row of dead and gone Le Mesuriers portrayed upon the walls. Everywhere fair hair, from light brown to gold, gleamed in the lamplight, straight-featured, broad-browed, the women dazzlingly fair of skin, the men square-chinned, and, for the most part, curly-headed—one and all blue-eyed. But Hubert passed these by, for some vague memory had awakened within him. Surely his father had once shown him, as a child, the portrait of a dark-eyed girl, half in pride, half in apology. If his memory were not tricking him, such a portrait must be in existence. He made his way directly to the more secluded parts of the room. His diligence was soon rewarded, for there, within a corner niche, almost at his feet, he discovered the object of his search: a small portrait of a lovely little girl, scarcely above miniature size, surrounded by an oak frame. Her hair, of a nut-brown, waved and rippled to her waist, and a pair of wide brown eyes looked out, mischievously, upon the beholder; the wonderfully clear and delicate skin was warm of tone. Setting down the lamp, Hubert, his fingers trembling with eagerness, unfastened the picture, and, turning it, read upon the back: "Hazel Le Mesurier, aged five years, 1671." Thus it was that the Le Mesurier girl came to be named Hazel. At five years of age a painting was made of her head and shoulders, in like pose, on the same sized canvas as that of her namesake, and, behold, the two faces, allowing for the dissimilarities of style arising from the difference of the schools of painting of so remote a period from those of the present time, were as like, one to the other, as two—hazelnuts! When his daughter had attained to her ninth year, Hubert Le Mesurier fell ill and died, being then in the forty-fifth year of his age.