Hazlitt on English Literature: An Introduction to the Appreciation of Literature — John Shaqi
Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
The result of Hazlitt's hard experiences with the realities of life was to
confirm him in a devoted attachment to the past. All his high enthusiasms,
his sanguine dreams, his purest feelings continued to live for him in the
past, and it was only by recurring to their memory in the dim distance
that he could find assurance to sustain his faith. In the past all his
experiences were refined, subtilized, transfigured. A sunny afternoon on
Salisbury Plain, a walk with Charles and Mary Lamb under a Claude Lorraine
sky, a visit to the Montpelier Gardens where in his childhood he drank tea
with his father--occurrences as common as these were enveloped in a haze
of glory. And rarer events, such as a visit to the pictures at Burleigh
House, or to the galleries in the Louvre, tender visions of feminine grace
and sweetness, were touched in the recollection with a depth and pathos
which subdued even the most joyous impressions to a refined melancholy. In
no other English writer is this rich sentiment of the past so eloquent,
and no one was better qualified to describe its sources. "Time takes out
the sting of pain; our sorrows after a certain period have been so often
steeped in a medium of thought and passion, that they 'unmould their
essence'; and all that remains of our original impressions is what we
would wish them to have been.... Seen in the distance, in the long
perspective of waning years, the meanest incidents, enlarged and enriched
by countless recollections, become interesting; the most painful, broken
and softened by time, soothe."[18] The "Farewell to Essay Writing" is
perfumed with the odor of grateful memories from which the writer draws
his "best consolation for the future." He almost erects his feeling for
the past into a religion. "Happy are they," he exclaims, "who live in the
dream of their own existence, and see all things in the light of their own
minds; who walk by faith and hope; to whom the guiding star of their youth
still shines from afar, and into whom the spirit of the world has not
entered!... The world has no hold on them. They are in it, not of it; and
a dream and a glory is ever around them!"[19]
Public-domain text, read in full here on John Shaqi.
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