1820 _Lectures on the Dramatic Literature of the Age of Elizabeth_. (Delivered at the Surrey Institution at the close of 1819.) Joins the staff of the _London Magazine_. 1821-22 _Table Talk, or Original Essays_ (2 volumes). 1822 Episode of Sarah Walker.--Journey to Scotland to obtain a divorce from his wife. 1823 _Liber Amoris, or the New Pygmalion_. _Characteristics in the Manner of Rochefoucauld's Maxims_. 1824 _Sketches of the Principal Picture-Galleries in England_. _Select British Poets_. Marriage with Mrs. Bridgewater.--Tour of the Continent. 1825 _The Spirit of the Age_. 1826 _Notes of a Journey through France and Italy_. _The Plain Speaker, Opinions on Books, Men, and Things_ (2 volumes). 1828-1830 _Life of Napoleon Buonaparte_ (4 volumes). 1830 _Conversations of James Northcote_. Death of William Hazlitt, September 18. INTRODUCTION WILLIAM HAZLITT I Hazlitt characterized the age he lived in as "critical, didactic, paradoxical, romantic."[1] It was the age of the Edinburgh Review, of the Utilitarians, of Godwin and Shelley, of Wordsworth and Byron--in a word of the French Revolution and all that it brought in its train. Poetry in this age was impregnated with politics; ideas for social reform sprang from the ground of personal sentiment. Hazlitt was born early enough to partake of the ardent hopes which the last decade of the eighteenth century held out, but his spirit came to ripeness in years of reaction in which the battle for reform seemed a lost hope. While the changing events were bringing about corresponding changes in the ideals of such early votaries to liberty as Coleridge and Wordsworth, Hazlitt continued to cling to his enthusiastic faith, but at the same time the spectacle of a world which turned away from its brightest dreams made of him a sharp critic of human nature, and his sense of personal disappointment turned into a bitterness hardly to be distinguished from cynicism. In a passionate longing for a better order of things, in the merciless denunciation of the cant and bigotry which was enlisted in the cause of the existing order, he resembled Byron. The rare union in his nature of the analytic and the emotional gave to his writings the very qualities which he enumerated as characteristic of the age, and his consistent sincerity made his voice distinct above many others of his generation.