Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
But being come of age and finding it necessary to turn his mind to
something more marketable than abstract speculation, he determined, though
apparently without any natural inclination toward the art, to become a
painter. He apprenticed himself to his brother John Hazlitt, who had
gained some reputation in London for his miniatures. During the peace of
Amiens in 1802, he travelled to the Louvre to study and copy the
masterpieces which Napoleon had brought over from Italy as trophies of
war. Here, as he "marched delighted through a quarter of a mile of the
proudest efforts of the mind of man, a whole creation of genius, a
universe of art,"[6] he imbibed a love of perfection which may have been
fatal to his hopes of a career. At any rate it was soon after, while he
was following the profession of itinerant painter through England, that he
wrote to his father of "much dissatisfaction and much sorrow," of "that
repeated disappointment and that long dejection which have served to
overcast and to throw into deep obscurity some of the best years of my
life."[7]
When Hazlitt abandoned painting, he fell back upon his analytic gift as a
means of earning a living. Not counting his first published work, the
Essay on the Principles of Human Action, which was purely a labor of love
and fell still-born from the press, the tasks to which he now devoted his
time were chiefly of the kind ordinarily rated as job work. He prepared an
abridgement of Abraham Tucker's Light of Nature, compiled the Eloquence of
the British Senate, wrote a reply to Malthus's Essay on Population, and
even composed an elementary English Grammar. It would be a mistake to
suppose that these labors were performed according to a system of
mechanical routine. Hazlitt impressed something of his personality on
whatever he touched. His violent attack on the inhuman tendencies of
Malthus's doctrines is pervaded by a glow of humanitarian indignation. For
the Eloquence of the British Senate he wrote a sketch of Burke, which for
fervor of appreciation and judicious analysis ranks with his best things
of this class. Even the Grammar bears evidence of his enthusiasm for an
idea. Whenever he has occasion to express his feelings on a subject of
popular interest, his manner begins to grow animated and his language to
gain in force and suppleness.
But Hazlitt continued firmly in the faith that it was his destiny to be a
metaphysician. In 1812 he undertook to deliver a course of lectures on
philosophy at the Russell Institution with the ambitious purpose of
founding a system of philosophy "more conformable to reason and
experience" than that of the modern material school which resolved "all
thought into sensation, all morality into the love of pleasure, and all
action into mechanical impulse."[8] Though he did not succeed in founding
a system, he probably interested his audience by a stimulating review of
the main tendencies of English thought from Bacon and Hobbes to Priestley
and Godwin.
Public-domain text, read in full here on John Shaqi.
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