Horror tales; New York (N.Y.) -- Fiction; Short stories
We met no person, and as time passed the lighted windows became fewer
and fewer. The streetlights we first encountered had been of oil, and
of the ancient lozenge pattern. Later I noticed some with candles; and
at last, after traversing a horrible unlighted court where my guide
had to lead me with his gloved hand through total blackness to a
narrow wooden gate in a high wall, we came upon a fragment of alley
lit only by lanterns in front of every seventh house--unbelievably
Colonial tin lanterns with conical tops and holes punched in the
sides. This alley led steeply uphill--more steeply than I had thought
possible in this part of New York--and the upper end was blocked
squarely by the ivy-clad wall of a private estate, beyond which I
could see a pale cupola, and the tops of trees waving against a vague
lightness in the sky. In this wall was a small, low-arched gate of
nail-studded black oak, which the man proceeded to unlock with a
ponderous key. Leading me within, he steered a course in utter
blackness over what seemed to be a gravel path, and finally up a
flight of stone steps to the door of the house, which he unlocked and
opened for me.
We entered, and as we did so I grew faint from a reek of infinite
mustiness which welled out to meet us, and which must have been the
fruit of unwholesome centuries of decay. My host appeared not to
notice this, and in courtesy I kept silent as he piloted me up a
curving stairway, across a hall, and into a room whose door I heard
him lock behind us. Then I saw him pull the curtains of the three
small-paned windows that barely showed themselves against the
lightening sky; after which he crossed to the mantel, struck flint and
steel, lighted two candles of a candelabrum of twelve sconces, and
made a gesture enjoining soft-toned speech.
In this feeble radiance I saw that we were in a spacious,
well-furnished and paneled library dating from the first quarter of
the Eighteenth Century, with splendid doorway pediments, a delightful
Doric cornice, and a magnificently carved overmantel with
scroll-and-urn top. Above the crowded bookshelves at intervals along
the walls were well-wrought family portraits; all tarnished to an
enigmatical dimness, and bearing an unmistakable likeness to the man
who now motioned me to a chair beside the graceful Chippendale table.
Before seating himself across the table from me, my host paused for a
moment as if in embarrassment; then, tardily removing his gloves,
wide-brimmed hat, and cloak, stood theatrically revealed in full
mid-Georgian costume from queued hair and neck ruffles to
knee-breeches, silk hose, and the buckled shoes I had not previously
noticed. Now slowly sinking into a lyre-back chair, he commenced to
eye me intently.
Public-domain text, read in full here on John Shaqi.
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