Family life -- Fiction; Farm life -- Fiction; Marriage -- Fiction
"Jane," said Mrs. Mumpson, in her most severe and dignified manner,
"you are not only disrespectful to your parent, but you're a time
server. What Mr. Holcroft wants is a very secondary matter; what is
BEST for him is the chief consideration. But I have touched on things
far above your comprehension. Come, you can make up the bed, and I
shall inspect as becomes my station."
Chapter VI.
A Marriage!
In a quiet side street of the market town in which Mr. Holcroft was
accustomed to dispose of his farm produce was a three-story tenement
house. A family occupied each floor, those dwelling in the first two
stories being plain, respectable people of the mechanic class. The
rooms in the third story were, of course, the cheapest, but even from
the street might be seen evidences that more money had been spent upon
them than could have been saved in rent. Lace curtains were looped
aside from the windows, through which were caught glimpses of flowers
that must have come from a greenhouse. We have only to enter these
apartments to find that the suggestion of refined taste is amply
fulfilled. While nothing is costly, there is a touch of grace, a hint
of beauty in everything permitting simple adornment. The mistress of
these rooms is not satisfied with neatness and order merely; it is her
instinct to add something to please the eye--a need essential to her,
yet too often conspicuously absent in rented quarters of a similar
character.
It is remarkable to what a degree people's abodes are a reflex of
themselves. Mrs. Alida Ostrom had been brought to these rooms a happy
bride but a few months since. They were then bare and not very clean.
Her husband had seemed bent on indulging her so far as his limited
means permitted. He had declared that his income was so modest that he
could afford nothing better than these cheap rooms in an obscure
street, but she had been abundantly content, for she had known even the
extremity of poverty.
Public-domain text, read in full here on John Shaqi.
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