He that will not when he may; vol. IOliphant, Mrs. (Margaret)
General
He that will not when he may; vol. I
Oliphant, Mrs. (Margaret)
Fiction
a recollection, or a sight coldly seen during the course of an orderly
walk. Then the boys would have the best of it. They would go away among
all their friends, with the delights of boating and cricket, whereas the
little girls would relapse into blue sashes and a correct appearance at
dessert, followed, alas, in no small time, by complete loneliness when
mamma went to London, and everybody was away.
“Don’t let us think about it,” said little Bell; “it will be bad enough
when it comes. Oh, mamma, come and play the _Tempête_. Alice is going to
teach us. Harry, you be my partner, you dance a great deal the best.”
This produced a cry of indignant protestation from Mary, whom they all
called Marie with a very decided emphasis on the last syllable. “I
pulled Roland about all last night,” she said, “when he was thinking of
something else all the time; it is my turn to have Harry now.”
“Don’t you see,” said Alice, “that Roland is much more your size? It
doesn’t do to have a little one and a big one in the _Tempête_. He
mustn’t think of anything else. Don’t you know Rol, if you don’t take a
little trouble you will never learn to dance, and then no one will ask
you out when you grow up. I should not like, for my part, when all the
others went out to be always left moping at home.”
“Much I’d mind,” said Roland with a precocious scorn of society. But
just then the music struck up, and the lesson began. Roland was
generally thinking of something else, but Harry threw himself into the
dance with all the simple devotion of a predestined guardsman. That was
to be a great part of his duty in life, and he gave himself up to it
dutifully. The drawing-room was very large, partially divided by two
pillars, which supported a roof painted with clouds and goddesses in the
taste of the seventeenth century. The outer half was but partially
lighted, while in the inner part all was bright. In the right-hand
corner, behind Lady Markham, was a third room at right angles to this,
like the transept crossing a long nave, divided from the drawing-room by
curtains half-drawn, and faintly lighted too by a silver lamp. Thus the
brilliant interior where the children were dancing was thrown up by two
dimnesses; the girls in their light frocks, the bright faces and curls,
the abundant light which showed the pictures on the walls, and all the
details of the furniture, were thus doubly gay and bright in
consequence. The children moving back and forward, Alice now here, now
there, with one side and another as necessity demanded, flitting among
them in all her softer grace of young womanhood; and the beautiful
mother, the most beautiful of all, smiling on them from the piano,
turning round to criticise and encourage, while her hands flashed over
the keys, made the prettiest picture. There was an _abandon_ of innocent
gaiety in the scene, an absence of every harsh tone and suggestion which
made it perfect. Was there really no evil and trouble in the place
Public-domain text, read in full here on John Shaqi.
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