"The temperature being one hundred and four, forbye some points up
which I canna mind exactly, I'm douting she's for the pewmonia, and
twa in the next hoose abune lying deed of the same," the stout woman
mentioned, with a certain gloomy satisfaction that puzzled Joey. "And
says I to Maggie M'Tulloch, 'I'll take the young leddy,' says I, 'and
what o'wer chances _she'll_ not tak' the infection awa' wi' her.'"
"Thank you; that's awfully kind," Joey said politely, though
mournfully. She explained to Mrs. Tresham, who looked somewhat
mystified by the flood of broad Scotch.
"You poor child, I should like to take you with me to my hotel for
to-night, but I suppose I hardly could, as I am staying with a friend
there. But I don't like this for you. Have you authority from Miss
Craigie?" she asked suddenly, turning to Maggie M'Tulloch's "own
cousin" as though she rather hoped for a negative answer.
But there was no escape. Maggie M'Tulloch's kinswoman dived promptly
into a black knitted bag that she carried and produced a sheet of
paper, scrawled in pencil:
"I am so sorry, but I may not see you, Joey. Mrs. Nicol will take
care of you, and put you into your train to-morrow. Good luck.
"JEAN CRAIGIE."
There was no help for it. Joey shook hands with kind Mrs. Tresham and
thanked her, and walked off beside Mrs. Nicol in the wake of a huge
outside porter, who wheeled her trunk on a barrow. They came up into
the width and glare of Princes Street, crossed it, turned up a narrower
street running at right angles to it, went half-way down, still
following the porter, and turned into another narrower still, where
narrow "wynds" or thread-like passages showed between the immensely
tall old houses. In this street Mrs. Nicol stopped at last, produced
a latch-key, and opened the door into a hall made dimly visible by a
glimmer only of gas.
"Ye'll be pleased to mount, miss," she said unsmilingly.
Joey mounted four flights of stairs, all covered with slippery
linoleum, till she landed at last in a room which looked as though no
one could ever have laughed in it from the time the house was built.
Four wooden waiting-room chairs stood against the mustard-coloured
walls; a square table covered with a mottled brown cloth stood exactly
in the centre. A cheap, crudely coloured print of "The last sleep of
Argyle" above the chimney-piece was the sole attempt at ornament,
unless one counted the dim cruets which occupied, for the want of a
side-board, the centre of the dingy and once white-painted mantelpiece.
The room was at once cold and stuffy.
Public-domain text, read in full here on John Shaqi.
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