It usually happens when a discussion takes place concerning the
immorality of the present day, that some member of the party will
advance the opinion in a more or less authoritative way that the
tendency in question is confined almost entirely to the so-called upper
crust of society and is consequently not entitled to the significance
which is being attributed to it. The great mass of the people, in their
simple homes and simple communities, are not in the least contaminated
or disturbed by it. They are just as moral and clean-minded as they ever
were, probably more so. Among the rich and idle upper classes, there has
always been a lot of dissipation and immorality in all countries, at all
times. If America is getting a little more than usual of it, at present,
that is nothing to get excited about.
In the face of such sentiments, cheerily and forcibly expressed, the
average gossip and fault-finder is usually willing to acquiesce with a
shrug. And so the discussion ends with a feeling that an attempt has
been made to exaggerate the importance of a restricted and
unrepresentative class.
As a matter of fact, this kind of talk would appear to be founded on
neither accurate information nor sound reasoning.
As regards the lower and middle classes--including those in small
communities--especially those in small communities--it has been called
to my attention repeatedly by those in a position to know that the
change in standards, the so-called demoralization, has been quite as
extreme as among the upper crust. And this view is in accord with my own
notion.
Two important agents of the new movement are the automobile and the
moving picture show. The mechanic's daughter, the store-keeper's
daughter, the farmer's daughter like to go to the movies. It may be at
first the mother, or father, took care to find out who the daughter was
going with and how. A girl friend and her brother. How are they going?
In the friend's automobile. Another time the father runs the daughter
over to the friend's house in the Ford car. Another time the daughter
runs herself over to the friend's house in the Ford car. It is only a
short way. Or again, it is the friend's brother who stops for her, on
his way to get the sister. After a while, this going to the movies has
become such a frequent occurrence, that it is accepted as a matter of
course, without bother or comment. If perchance the daughter comes home,
some night, later than usual and the mother feels uneasy, the
explanation is very simple. Instead of going to the nearby theatre, the
daughter and her friend went over to a neighboring town where a more
interesting picture was showing. In the end the daughter goes off about
when she pleases and comes back in the same way.
Public-domain text, read in full here on John Shaqi.
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