Art -- Europe; Europe -- Description and travel; Europe -- History
By 1435 Philip, whose affection for England had been at the best
lukewarm, could bear no longer the appalling misery of France and the
excesses of the English armies. All north of the Loire had become a
wilderness and even in the later Middle Ages pity was a feeling still
easily aroused. By the treaty of Arras Burgundy finally separated itself
from the English alliance and joined Charles VII, the immediate result
being a letting-up of the war in France and a transferring of
hostilities to Flanders. The duke led an enthusiastic force of Flemings
against Calais, failed to capture it, and then discovered
[Illustration: BRUGES, FROM THE QUAI DU ROSAIRE]
the erratic nature of his Flemish subjects, for they forthwith turned
against him as suddenly as they had deserted the English alliance, and
Philip proceeded forthwith to break their spirit, or rather the frantic
independence of their cities. He succeeded, and yet Flanders prospered
in spite of the sporadic internecine warfare. Prosperity somehow came
back and wealth increased, while Memling, the Van Eycks and their great
line of successors, together with other masters of art in allied fields,
gave a glory to the time that will endure for ever. Then followed years
of strife and turbulence, of shifting alliances and of sympathies as
ready to turn as to be aroused. Philip died, was succeeded by his son,
Charles the Bold, and the disorders broke out afresh so successfully
that at first he was forced to give back all the communal privileges his
father had taken away. In addition to his domestic troubles he found
himself the object of the serpentine plots of Louis XI now King of
France. Charles was equal to the occasion, however; he married Margaret
of York, sister to the English King, so acquiring a new ally; marched
against Liége, the centre of the local disaffection, captured it
triumphantly, then turned on the crafty and unscrupulous Louis and
proceeded to beat him at his own game. In the midst of this enviable
adventure, Liége revolted once more, and this time Charles, dragging
Louis at his heels, captured the city again, now showing none of the
mercy he had before exhibited. The whole city was sacked, only the
churches and monasteries being spared, and the ruins were given to the
flames. In spite of the exemption accorded religious property, the
destruction of the great city was too manifestly a violation of the
common decencies of Christian conduct to be neutrally endured by the
Pope, who at that time (it was almost five centuries ago) did not fear
to take a strong stand for righteousness when occasion offered, and
Charles had to make his peace with the head of the Church as best he
could.
Public-domain text, read in full here on John Shaqi.
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