Art -- Europe; Europe -- Description and travel; Europe -- History
So the future Lord of the World entered into his inheritance at the age
of seven, and as always, without a murmur or a protest, Margaret left
her oratory, turned from her slowly rising shrine, and went into
Flanders to be guardian for the future Emperor, to train him for his
task, and meantime to administer for him one of the most turbulent, if
rich and beautiful, dominions of his patrimony.
Bruges and Ghent were too uncertain in their temper as the result of an
uncontrolled guild system and its inevitable democracy, inorganic and
chaotic. Moreover, Margaret herself had been educated in Malines by her
grandmother, Margaret of York, widow of Charles the Bold, so to Malines
she came with four of her little nephews and nieces, and was received
with great rejoicing, taking up her residence in a very splendid palace,
the Hôtel de Savoy, portions of which still remain and are used as a
Palais de Justice.
Malines in 1507 was a very different city from that of to-day; as we
could have seen it a year ago with its narrow and winding streets, its
fragments of old ruins, its little gabled houses, we loved it for its
quaintness and its modest picturesqueness which formed a kind of foil to
the vast tower of St. Rombaut, lifting like a truncated obelisk above a
low plain. At the beginning of the sixteenth century it was, like the
other great cities of Flanders and Brabant, a place of palaces and
gardens, a courtly and splendid city, rich, busy, magnificent. In the
night of the “Spanish Fury” in Antwerp it is of record that amongst
other proud buildings, five hundred palaces of marble or chiselled stone
were destroyed, and this gives some idea of the nature of the other
cities that rivalled and exceeded Antwerp in magnificence. Malines, when
the Duchess Margaret took up her abode there, was no village of dark and
dirty little streets, but a city of palaces, far finer than London, or
even Paris, and a fitting residence for a princely court and for the
future Emperor.
Public-domain text, read in full here on John Shaqi.
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