Here was her rosebush growing high,
That he never knew—for he never cared;
This was her joy no mortal shared.
Her hands were never too stiff or tired
To foster beauty the soul desired;
The first shy green, the venturesome shoot,
Flushing sap from the sturdy root,
Moss-veiled bud and passionate bloom;
Scarlet hips for the winter gloom.
Never too worn the busy feet,
Never too dull the old heart’s beat,
For a furtive trip to the little shrine
That made the moment a pause divine.
Here by the bush one glimpsed the Hills,
Where forests crooned and ran free rills;
One breathed deep draughts from a windswept sky,
Sunset, moonglow, mystery.
This was her rosebush by the wall.
Gone is the farmer, farm and all;
Gone herd and crops and silver store.
The children grown return no more
To the hearth deserted, the loveless place,
Haunted by one enduring grace;
A dream of beauty, torn with briar,
Clutched in vain as it reaches higher.
SCARECROW
Rags and tags of what he was,
Topped with straw and stuffed with hay;
Balanced tipsily askew,
It grins to scare the crows away.
I saw _Him_ first in that old hat—
It seemed the crown of a king to me.
I liked his careless swagger then;
Lord! He was straight and fine to see.
He courted me in that same coat—
He couldn’t meet it now, I guess.
That gay vest was the one he wore
When I walked bride in my silver dress.
He seemed as proud as I, those days.
I never dreamed, when we were wed,
I’d think the Scarecrow a better man,
With a broom for a spine and a pumpkin head.
Rags and tags of what he seemed,
Mocking me in the field all day.
What can I make a scarecrow of,
To drive the hungry thoughts away?
INSPIRATION
Life—Death in a drop of dew;
And a prism to sift a sunbeam through.
Fragile, perfect, briefly bright,
A tremulous miracle of light;
Beauty poised on a flower-tip;
A whole round world for a Thrush to sip!
A WASTED MORNING
I wasted a morning!
Where? And why?
I let swift hours go silently by,
As I lay at the foot of an ancient tree,
And let God’s universe talk to me.
Public-domain text, read in full here on John Shaqi.
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