Heart of Oak: A Three-Stranded Yarn, vol. 1.Russell, William Clark
General
Heart of Oak: A Three-Stranded Yarn, vol. 1.
Russell, William Clark
English fiction -- 19th century; Sea stories
She pointed to a vessel that was straining at a buoy almost immediately
opposite. A tug was lying near her. It was a young April day; the
sunshine thin and pale, the blue of the heavens soft and dim, with a
number of swelling bodies of clouds, humped and bronzed, sailing with
the majesty of line-of-battle ships into the south-west. A brisk wind
blew and the river was full of life. The grey water twinkled and was
flashed in places into a clearness and beauty of bluish crystal by the
brushing of the breeze. The eye was filled and puzzled for some moments
by the abounding tints and motion. A large steamer with her line of
bulwarks palpitating with heads of emigrants was slowly passing down;
another with frosted funnel and drainings of red rust on her side, as
though she still bled from the scratches of a recent vicious fight
outside, was warily passing up: beside her was a large, full-rigged
ship towing to London, and the sluggish passage of the masts, yards,
and rigging of the two vessels, the steamer sliding past the other,
combined with the sudden turning of a little schooner close by, all her
canvas shaking, and with the heeling figure of a brig, her dark breasts
of patched canvas swelling for the flat shores opposite, a spout of
white water at her forefoot, and a short-lived vein of river-froth at
her rudder; _then_, close in, two barges heaped with cargo, blowing
along stiff as flag-poles under brown wings of sail; these with vessels
at both extremities of the Reach, coming and going, interlacing the
perspective of their rigging into a complication of colours and
wirelike outlines, for ever shifting: all this wonderful changing life,
I say, adding to it the trembling of the stream of river, the pouring
of smoke, the pulling and shivering of flags, put a giddiness into the
scene, and for some moments I stared idly, with Mrs. Burke beside me
pointing to the 'Lady Emma.'
My eye then went to the ship, and rested upon as pretty a little
fabric as probably ever floated upon the water of the Thames. I may
venture upon a description of her and speak critically: indeed I must
presuppose some knowledge of the sea in you, otherwise I shall be at
a loss; for as you shall presently discover I was long enough upon
the ocean, under circumstances of distress scarcely paralleled in the
records, to learn by heart the language of the deep, how to speak of
ships and tell of sailors' doings, and I cannot but name the things of
the sea in the language in which the mariner talks of them.
Public-domain text, read in full here on John Shaqi.
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