Heart of Oak: A Three-Stranded Yarn, vol. 2.Russell, William Clark
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Heart of Oak: A Three-Stranded Yarn, vol. 2.
Russell, William Clark
English fiction -- 19th century; Sea stories
The wind and the sea swept me so swiftly onwards that the hull was
close ahead all on a sudden, a large black mass, rolling heavily with
violently quick recoveries; she lifted her channels foaming, and again
and again a sea shot up her side in a height of white brine, which
blew into the water on the other side of her in a cloud like steam.
There was nothing for it but to drive for her stem on and take my
chance. I tore off the oilskins for the freer use of my limbs, and
when I was close to the wreck, having headed the boat fair for the
main-chains, I sprang forward and seized the end of the painter; the
boat's nose smote the hull as she was roaring from me. I got a turn
with the painter round a chain plate; the boat swung in, but so swift
were the motions of the hull that she was rolling down upon me even in
that time, and, letting go the painter, I jumped in a single bound into
the chains and was stumbling over the rail, spiked with ice, as the
hulk swept her streaming side out again from the sea, with such a slant
of deck that if I had not flung myself into a squatting posture and
made the athwartship run of the hard frozen surface on my hams, I must
have broken my neck or fled sheer overboard through the openings where
the bulwarks had been smashed level.
I was crazy with hunger and thirst and cold, and could think of nothing
but shelter and food and drink. I took a hurried look along the deck
hoping to see smoke from the galley or cabin chimney, for I reckoned
of course upon finding the three people the 'Planter' had searched
for alive in this hull. I saw no signs of life. I cautiously crawled
aft, and coming to the companion-way tried to open it; the doors
were thickly glazed, whence I judged they had been kept closed for
some time. I pulled out my clasp knife--all that I carried was in my
pocket as it had been before the boat capsized--and after scraping
and dislodging the ice in sheets like plate glass, I got one of the
companion-doors open and descended, pulling the door to behind me.
After the long hours of exposure and the ceaseless crackling noises of
warring waters, the shelter, the comparative warmth and stillness down
here, were like the gift of a new life. It was dark, yet not so gloomy
but that I could see. The daylight lay upon the snow on the skylight,
and that large square of whiteness sifted a sort of dim illumination of
its own into the dusk.
Public-domain text, read in full here on John Shaqi.
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