Heart of Oak: A Three-Stranded Yarn, vol. 3 — John Shaqi
Heart of Oak: A Three-Stranded Yarn, vol. 3Russell, William Clark
General
Heart of Oak: A Three-Stranded Yarn, vol. 3
Russell, William Clark
English fiction -- 19th century; Sea stories
Abreast on the right was a little ship under full sail braced sharp
up, tearing through the seas; the red flag of England stood like a
board at her mizzen peaks. She was apparently bound home. The water
swept in sheets from her steering stem, and every flash of the white
brine was magically spanned by a rainbow. She was painted black, and
to my land-going eye exactly resembled the 'Lady Emma,' though the
practised nautical glance would doubtless have witnessed plenty that
distinguished her from the other. I watched her with fascinated gaze,
and in deep melancholy, as she swept through the brilliant curls of
sea, clouding her path as she dived and scoring the rolling blue astern
of her with an arrow-like line of light.
Just such sailing as that had Marie described in the fragment of
journal we had received. She had named the sails, flung with dexterous
pen the very sheen of the lustrous rounds of canvas upon the vision of
the mind, painted the picture of the deck, the dark wet length of plank
gleaming along the sobbing scuppers at every roll, sailors hanging in
the rigging with marling-spikes and coils of small stuff, or stitching
on spaces of canvas in the sun, the mate walking the weather side of
the deck, her own dear self seated under a short awning talking with
her old nurse about the home she was leaving, about the countries
she was to visit. I caught my breath with a spasm and turned from the
beautiful picture.
We were a great number of passengers for so small a vessel. When
the fine weather came and the people got their stomachs, no more
hospitable scene at meal-time was ever afloat than that saloon of
over thirty years ago. There is plenty of finery at sea in this age;
but the picturesque is almost dead; it flourished then. Much of the
old Indiaman, the old Caper and South Spanier survived in the early
steamer. You found this in colours and fittings, and in rig; for, none
of us yet making cocksure of the cub of the engine-room, a fabric nigh
as spacious and wide as that of the sailing ship was reared to draw
from the wind the help the propeller might refuse.
This little steamer, too, would go along in an ambling way when it was
fine, like any large ship with the wind on the quarter, taking the wide
heaves of the deep in a procession of curtseys whilst she fanned the
sky with her squares of canvas. I see again the dinner-picture of a
fine afternoon: a row of well-dressed people filling the long table;
the captain bland and watchful at one end; someone trembling in brass
buttons at the other; the claret-coloured light of the setting sun
ripples in polished bulkhead and makes rubies of diamonds on moving
hands; every shadow sways with slow grace, and the large round cabin
windows deepen into dark blue, or glance out in crimson light as the
vessel softly rolls them from sea to sky.
Public-domain text, read in full here on John Shaqi.
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