American fiction -- 20th century; Short stories, American; West (U.S.) -- Social life and customs -- Fiction
Mr. Kinney’s wife, a young and capable woman, we had left in the house.
She remained to busy herself with the domestic round of duties, in
which I had observed that she seemed to take a buoyant and contented
pride. In one room we had supped. Presently, from the other, as Kinney
and I sat without, there burst a volume of sudden and brilliant music.
If I could justly estimate the art of piano-playing, the construer of
that rollicking fantasia had creditably mastered the secrets of the
keyboard. A piano, and one so well played, seemed to me to be an
unusual thing to find in that small and unpromising ranch-house. I must
have looked my surprise at Rush Kinney, for he laughed in his soft,
Southern way, and nodded at me through the moonlit haze of our
cigarettes.
“You don’t often hear as agreeable a noise as that on a sheep-ranch,”
he remarked; “but I never see any reason for not playing up to the arts
and graces just because we happen to live out in the brush. It’s a
lonesome life for a woman; and if a little music can make it any
better, why not have it? That’s the way I look at it.”
“A wise and generous theory,” I assented. “And Mrs. Kinney plays well.
I am not learned in the science of music, but I should call her an
uncommonly good performer. She has technic and more than ordinary
power.”
The moon was very bright, you will understand, and I saw upon Kinney’s
face a sort of amused and pregnant expression, as though there were
things behind it that might be expounded.
“You came up the trail from the Double-Elm Fork,” he said promisingly.
“As you crossed it you must have seen an old deserted _jacal_ to your
left under a comma mott.”
“I did,” said I. “There was a drove of _javalis_ rooting around it. I
could see by the broken corrals that no one lived there.”
“That’s where this music proposition started,” said Kinney. “I don’t
mind telling you about it while we smoke. That’s where old Cal Adams
lived. He had about eight hundred graded merinos and a daughter that
was solid silk and as handsome as a new stake-rope on a thirty-dollar
pony. And I don’t mind telling you that I was guilty in the second
degree of hanging around old Cal’s ranch all the time I could spare
away from lambing and shearing. Miss Marilla was her name; and I had
figured it out by the rule of two that she was destined to become the
chatelaine and lady superior of Rancho Lomito, belonging to R. Kinney,
Esq., where you are now a welcome and honoured guest.
“I will say that old Cal wasn’t distinguished as a sheepman. He was a
little, old stoop-shouldered _hombre_ about as big as a gun scabbard,
with scraggy white whiskers, and condemned to the continuous use of
language. Old Cal was so obscure in his chosen profession that he
wasn’t even hated by the cowmen. And when a sheepman don’t get eminent
enough to acquire the hostility of the cattlemen, he is mighty apt to
die unwept and considerably unsung.
Public-domain text, read in full here on John Shaqi.
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