American fiction -- 20th century; Short stories, American; West (U.S.) -- Social life and customs -- Fiction
“But that Marilla girl was a benefit to the eye. And she was the most
elegant kind of a housekeeper. I was the nearest neighbour, and I used
to ride over to the Double-Elm anywhere from nine to sixteen times a
week with fresh butter or a quarter of venison or a sample of new
sheep-dip just as a frivolous excuse to see Marilla. Marilla and me got
to be extensively inveigled with each other, and I was pretty sure I
was going to get my rope around her neck and lead her over to the
Lomito. Only she was so everlastingly permeated with filial sentiments
toward old Cal that I never could get her to talk about serious
matters.
“You never saw anybody in your life that was as full of knowledge and
had less sense than old Cal. He was advised about all the branches of
information contained in learning, and he was up to all the rudiments
of doctrines and enlightenment. You couldn’t advance him any ideas on
any of the parts of speech or lines of thought. You would have thought
he was a professor of the weather and politics and chemistry and
natural history and the origin of derivations. Any subject you brought
up old Cal could give you an abundant synopsis of it from the Greek
root up to the time it was sacked and on the market.
“One day just after the fall shearing I rides over to the Double-Elm
with a lady’s magazine about fashions for Marilla and a scientific
paper for old Cal.
“While I was tying my pony to a mesquite, out runs Marilla, ‘tickled to
death’ with some news that couldn’t wait.
“‘Oh, Rush,’ she says, all flushed up with esteem and gratification,
‘what do you think! Dad’s going to buy me a piano. Ain’t it grand? I
never dreamed I’d ever have one.”
“‘It’s sure joyful,’ says I. ‘I always admired the agreeable uproar of
a piano. It’ll be lots of company for you. That’s mighty good of Uncle
Cal to do that.’
“‘I’m all undecided,’ says Marilla, ‘between a piano and an organ. A
parlour organ is nice.’
“‘Either of ’em,’ says I, ‘is first-class for mitigating the lack of
noise around a sheep-ranch. For my part,’ I says, ‘I shouldn’t like
anything better than to ride home of an evening and listen to a few
waltzes and jigs, with somebody about your size sitting on the
piano-stool and rounding up the notes.’
“‘Oh, hush about that,’ says Marilla, ‘and go on in the house. Dad
hasn’t rode out to-day. He’s not feeling well.’
“Old Cal was inside, lying on a cot. He had a pretty bad cold and
cough. I stayed to supper.
“‘Going to get Marilla a piano, I hear,’ says I to him.
“‘Why, yes, something of the kind, Rush,’ says he. ‘She’s been
hankering for music for a long spell; and I allow to fix her up with
something in that line right away. The sheep sheared six pounds all
round this fall; and I’m going to get Marilla an instrument if it takes
the price of the whole clip to do it.’
“‘_Star wayno_,’ says I. ‘The little girl deserves it.’
“‘I’m going to San Antone on the last load of wool,’ says Uncle Cal,
‘and select an instrument for her myself.’
Public-domain text, read in full here on John Shaqi.
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