American fiction -- 20th century; Short stories, American; West (U.S.) -- Social life and customs -- Fiction
“You remember, yourself, Baldy, that there was a time when Santa wasn’t
quite so independent. You remember the days when old McAllister was
keepin’ us apart, and how she used to send me the sign that she wanted
to see me? Old man Mac promised to make me look like a colander if I
ever come in gun-shot of the ranch. You remember the sign she used to
send, Baldy—the heart with a cross inside of it?”
“Me?” cried Baldy, with intoxicated archness. “You old sugar-stealing
coyote! Don’t I remember! Why, you dad-blamed old long-horned
turtle-dove, the boys in camp was all cognoscious about them
hiroglyphs. The ‘gizzard-and-crossbones’ we used to call it. We used to
see ’em on truck that was sent out from the ranch. They was marked in
charcoal on the sacks of flour and in lead-pencil on the newspapers. I
see one of ’em once chalked on the back of a new cook that old man
McAllister sent out from the ranch—danged if I didn’t.”
“Santa’s father,” explained Webb gently, “got her to promise that she
wouldn’t write to me or send me any word. That heart-and-cross sign was
her scheme. Whenever she wanted to see me in particular she managed to
put that mark on somethin’ at the ranch that she knew I’d see. And I
never laid eyes on it but what I burnt the wind for the ranch the same
night. I used to see her in that coma mott back of the little
horse-corral.”
“We knowed it,” chanted Baldy; “but we never let on. We was all for
you. We knowed why you always kept that fast paint in camp. And when we
see that gizzard-and-crossbones figured out on the truck from the ranch
we knowed old Pinto was goin’ to eat up miles that night instead of
grass. You remember Scurry—that educated horse-wrangler we had— the
college fellow that tangle-foot drove to the range? Whenever Scurry saw
that come-meet-your-honey brand on anything from the ranch, he’d wave
his hand like that, and say, ‘Our friend Lee Andrews will again swim
the Hell’s point to-night.’”
“The last time Santa sent me the sign,” said Webb, “was once when she
was sick. I noticed it as soon as I hit camp, and I galloped Pinto
forty mile that night. She wasn’t at the coma mott. I went to the
house; and old McAllister met me at the door. ‘Did you come here to get
killed?’ says he; ‘I’ll disoblige you for once. I just started a
Mexican to bring you. Santa wants you. Go in that room and see her. And
then come out here and see me.’
“Santa was lyin’ in bed pretty sick. But she gives out a kind of a
smile, and her hand and mine lock horns, and I sets down by the bed—
mud and spurs and chaps and all. ‘I’ve heard you ridin’ across the
grass for hours, Webb,’ she says. ‘I was sure you’d come. You saw the
sign?’ she whispers. ‘The minute I hit camp,’ says I. ‘’Twas marked on
the bag of potatoes and onions.’ ‘They’re always together,’ says she,
soft like—‘always together in life.’ ‘They go well together,’ I says,
‘in a stew.’ ‘I mean hearts and crosses,’ says Santa. ‘Our sign—to love
and to suffer—that’s what they mean.’
Public-domain text, read in full here on John Shaqi.
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