American fiction -- 20th century; Short stories, American; West (U.S.) -- Social life and customs -- Fiction
“After I bought the tickets I missed Solly. I knew his habits by then;
so in a couple of hours I found him in a saddle-shop. They had some new
ideas there in the way of trees and girths that had strayed down from
the Canadian mounted police; and Solly was so interested that he almost
looked reconciled to live. He invested about nine hundred dollars in
there.
“At the depot I telegraphed a cigar-store man I knew in New York to
meet me at the Twenty-third Street ferry with a list of all the
saddle-stores in the city. I wanted to know where to look for Solly
when he got lost.
“Now I’ll tell you what happened in New York. I says to myself: ‘Friend
Heherezade, you want to get busy and make Bagdad look pretty to the sad
sultan of the sour countenance, or it’ll be the bowstring for yours.’
But I never had any doubt I could do it.
“I began with him like you’d feed a starving man. I showed him the
horse-cars on Broadway and the Staten Island ferry-boats. And then I
piled up the sensations on him, but always keeping a lot of warmer ones
up my sleeve.
“At the end of the third day he looked like a composite picture of five
thousand orphans too late to catch a picnic steamboat, and I was
wilting down a collar every two hours wondering how I could please him
and whether I was going to get my thou. He went to sleep looking at the
Brooklyn Bridge; he disregarded the sky-scrapers above the third story;
it took three ushers to wake him up at the liveliest vaudeville in
town.
“Once I thought I had him. I nailed a pair of cuffs on him one morning
before he was awake; and I dragged him that evening to the palm-cage of
one of the biggest hotels in the city—to see the Johnnies and the
Alice-sit-by-the-hours. They were out in numerous quantities, with the
fat of the land showing in their clothes. While we were looking them
over, Solly divested himself of a fearful, rusty kind of laugh—like
moving a folding bed with one roller broken. It was his first in two
weeks, and it gave me hope.
“‘Right you are,’ says I. ‘They’re a funny lot of post-cards, aren’t
they?’
“‘Oh, I wasn’t thinking of them dudes and culls on the hoof,’ says he.
‘I was thinking of the time me and George put sheep-dip in Horsehead
Johnson’s whisky. I wish I was back in Atascosa City,’ says he.
“I felt a cold chill run down my back. ‘Me to play and mate in one
move,’ says I to myself.
“I made Solly promise to stay in the café for half an hour and I hiked
out in a cab to Lolabelle Delatour’s flat on Forty-third Street. I knew
her well. She was a chorus-girl in a Broadway musical comedy.
“‘Jane,’ says I when I found her, ‘I’ve got a friend from Texas here.
He’s all right, but—well, he carries weight. I’d like to give him a
little whirl after the show this evening—bubbles, you know, and a buzz
out to a casino for the whitebait and pickled walnuts. Is it a go?’
“‘Can he sing?’ asks Lolabelle.
Public-domain text, read in full here on John Shaqi.
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