“Lungs,” said McGuire comprehensively. “I got it. The croaker says I’ll come to time for six months longer—maybe a year if I hold my gait. I wanted to settle down and take care of myself. Dat’s why I speculated on dat five to one perhaps. I had a t’ousand iron dollars saved up. If I winned I was goin’ to buy Delaney’s café. Who’d a t’ought dat stiff would take a nap in de foist round—say?” “It’s a hard deal,” commented Raidler, looking down at the diminutive form of McGuire crumpled against the truck. “But you go to a hotel and rest. There’s the Menger and the Maverick, and—” “And the Fi’th Av’noo, and the Waldorf-Astoria,” mimicked McGuire. “Told you I went broke. I’m on de bum proper. I’ve got one dime left. Maybe a trip to Europe or a sail in me private yacht would fix me up— pa-per!” He flung his dime at a newsboy, got his _Express_, propped his back against the truck, and was at once rapt in the account of his Waterloo, as expanded by the ingenious press. Curtis Raidler interrogated an enormous gold watch, and laid his hand on McGuire’s shoulder. “Come on, bud,” he said. “We got three minutes to catch the train.” Sarcasm seemed to be McGuire’s vein. “You ain’t seen me cash in any chips or call a turn since I told you I was broke, a minute ago, have you? Friend, chase yourself away.” “You’re going down to my ranch,” said the cattleman, “and stay till you get well. Six months’ll fix you good as new.” He lifted McGuire with one hand, and half-dragged him in the direction of the train. “What about the money?” said McGuire, struggling weakly to escape. “Money for what?” asked Raidler, puzzled. They eyed each other, not understanding, for they touched only as at the gear of bevelled cog-wheels—at right angles, and moving upon different axes. Passengers on the south-bound saw them seated together, and wondered at the conflux of two such antipodes. McGuire was five feet one, with a countenance belonging to either Yokohama or Dublin. Bright-beady of eye, bony of cheek and jaw, scarred, toughened, broken and reknit, indestructible, grisly, gladiatorial as a hornet, he was a type neither new nor unfamiliar. Raidler was the product of a different soil. Six feet two in height, miles broad, and no deeper than a crystal brook, he represented the union of the West and South. Few accurate pictures of his kind have been made, for art galleries are so small and the mutoscope is as yet unknown in Texas. After all, the only possible medium of portrayal of Raidler’s kind would be the fresco—something high and simple and cool and unframed. They were rolling southward on the International. The timber was huddling into little, dense green motts at rare distances before the inundation of the downright, vert prairies. This was the land of the ranches; the domain of the kings of the kine.