For my own part, I remained unreconciled to these impending events. "What will you do?" I asked Dan Anderson bitterly, "now that you've been ass enough to allow this girl to come on down in here? You'll have some one killed in this town before long. Besides, where can a white girl live in this place? There's not a bedspread or a linen sheet in the whole town." "You talk like a chambermaid," said Dan Anderson, scornfully. "Do you suppose a Wellesley girl, accustomed steady to high thinkin', can't get along with a little plain livin' once in a while? As for women folks, why can't Curly's girl take care of her? Does a chance lady caller in this city need a _thousand_ women to entertain her? And blankets--why, you know well enough, that blankets are better after sundown here than much fine linen. Heart's Desire'll be here calm and confident after this brief pageantry has passed from our midst." As he spoke, he half turned and started, with a broken exclamation. I followed his gaze. The street was vacant, barren of the accustomed throng that usually awaited near the post-office the arrival of the infrequent stagecoach. But there, at the mouth of the canon, almost under the edge of the deepening shadow from the purple-topped mountain, appeared the dusty top of the creeping vehicle that bore with it the fate of Heart's Desire. Dan Anderson was pale now, and he put his hand to his shirt collar, as though it were too tight; but he sat gazing down the valley. "That old fool, Bill Godfrey, is showin' them our sign," said he, in exasperation. "That's a nice thing, ain't it, for Eastern Capital, or a woman, to see the first thing?" It was Charlie Lee, a landscape artist of Heart's Desire, who subsequently turned his studio into a shop for sign-painting, who had prepared the grim blazonry on the canon wall to which Dan Anderson had made reference. "Prepare to meet thy God!" was the sign that Charlie Lee had painted there. It was the last thing he did on his way out of town. That was the day after certain outlaws had killed a leading citizen. Charlie's emotions, of necessity, turned to paint for expression; and there had never been any other funeral sermon. The inhabitants had always left the sign standing there. But at this time it seemed not wholly suitable, in the opinion of Dan Anderson.