Man-woman relationships -- Fiction; Pacifism -- Fiction; World War, 1914-1918 -- United States -- Fiction
The liquor which he had drunk was in his veins, and to this the part
of him which understood all the rest of him credited his swimming
delight. But separate from this, as his breath was separate, there came
and went like a pulse, something else which he could not possibly have
defined, born in him in the street, when he had heard Jem Moor’s bad
news.
He threw out his arms and ran, staggering. What was there that he must
do? Here he was, ready for it. What was there that he must do? Then he
remembered. The War! He would have that. That was what he could do.
He stood still on the desert, and imagined himself one of thousands on
the plain. What if he were with them there in the darkness? What if
the rise of the sand were the edge of the opposite trenches, with men
breathing behind them, waiting? With a drunken laugh, he pulled his
revolver, and fired and shouted. Why, he could plough his way through
anything. He should not go down—not he! But he should be fighting like
this in the field of civilized men, and not taking his adventures
piecemeal, in a back lot of the world, with a skulking sheriff or two
and Bunchy for adversary. To-morrow! He would go to-morrow, and find
what his life could give him.
But this other thing that was pulsing in him ... the girl! What about
her? Was he not to find her, was he not to have her? He closed his eyes
and swam in the thought of her. War and the woman—suddenly he was
aflame with them both.
When he went into the wood, he went singing. He himself was the centre
of the night and of his universe. The wood, Whiteface, his journey,
the war, lay ready to his hand as accessory and secondary to his
consciousness. He felt his own life, and other life was its background.
He made a long crying guttural noise, like an animal. He shook his
great body and crashed through the undergrowth, the young saplings
stinging his cheeks. To-morrow—he would be off to-morrow....
He emerged upon the little space which was his home. The fire had
fallen and was a red glow, and a watching eye. Rolled in his blanket
beside it lay his father, deeply breathing. In a moment the Inger
became another being. He stood tense, stepped softly, entered quietly
the open door of his hut.
Within something stirred, was silent, stirred again, with a movement as
of garments. Out of the darkness, her voice came:
“Mr. Inger: ... It’s Lory Moor.”
III
FOR a moment he thought that this would be a part of his crazy
dreaming, and he said nothing. But then he knew that she had risen and
was standing before him; and he heard her breath, taken tremblingly.
Her words came rushing—almost the first words that he had ever heard
her say:
“You been down there. You know. I don’t know where to go. Oh—don’t
tell ’em!”
“Tell ’em,” he muttered, stupidly. “Tell ’em?”
“I can’t do it,” she said gaspingly. “I can’t—I can’t.”
Public-domain text, read in full here on John Shaqi.
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