Man-woman relationships -- Fiction; Pacifism -- Fiction; World War, 1914-1918 -- United States -- Fiction
But by the time he had gained the telegraph office, and the man at
the window, after long delay, had told him that identification would
be necessary before he could collect his money, the Inger’s mood had
changed. He stood before the window and broke into a roar of laughter.
“Identify me!” he said. “Me! Why, man, I’m Inger. I own the Flag-pole
mine. I just got here, from Inch, Balboa County. You might as well try
to identify the West coast. Look at me, you fool!”
“I’m sorry, Mr. Inger,” said the man, respectfully. “You’ll have to
bring somebody here who knows you. A resident.”
“There ain’t a resident of nothing this side the Rockies that ever laid
eyes to me,” said the Inger. “You guess twice.”
The clerk meditated.
“Haven’t you got your name on something about you?” he said softly.
The Inger thought. He rarely had a letter, he never carried one. He
had never in his life owned a business card or an embroidered initial.
Suddenly his face cleared.
“You bet!” he cried, and drew his six-shooter, which the men at the
mines had given him, and levelled it through the bars.
“There’s my name on the handle,” he said. “Want I should fire, just to
prove it’s mine?”
The man hesitated, glanced once about the office, looked in the Inger’s
eyes,—and risked his job.
“That’ll be sufficient,” said he. “But if you’ll allow me, you’d best
cover that thing up.”
“I donno,” said the Inger, reflectively, “but I’d best shoot my way
down State Street. I don’t seem to get along very fast any other way.”
He had one more visit to make. This was to a railway ticket office,
where he deliberately made a purchase and took away a time-card. Then
he returned to the employment office.
There he faced a curious sight. The outer room was small and squalid
with its bare, dirty floor, its discolored walls, the dusty,
curtainless panes of its one window which looked in on a dingy court.
About the edge of the room, either seated on deal benches without
backs, or standing by the wall, were perhaps twenty women. They were
old, they were young, they were relaxed and hopeless, or tense and
strained—but the most of them were middle-aged and shabby and utterly
negligible. They had not the character of the defeated or the ill
or the wretched. They were simply drained of life, and were living.
Occasionally an inner door opened and a man’s voice called “Next.” Few
of the women talked. One or two of them slept. The window was closed
and the air was intolerable.
To all this it took the Inger a moment or two to accustom his eyes.
Then he saw Lory. She was sitting on her pack, on the floor, amusing a
fretting baby on the knees of its mother, who dozed. In that dun place,
the girl’s loveliness was startling, electric. The women felt it, and
some sat staring at her.
“If I had that face—” he caught from one.
“Come along out of this, for the Lord’s sake!” said the Inger.
Public-domain text, read in full here on John Shaqi.
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