England -- Social life and customs -- 20th century -- Drama; Upper class -- England -- Drama; World War, 1914-1918 -- Drama
The mental distress of living amid the obscene din of all these
carmagnoles and corobberies was not the only burden that lay on sane
people during the war. There was also the emotional strain, complicated
by the offended economic sense, produced by the casualty lists. The
stupid, the selfish, the narrow-minded, the callous and unimaginative
were spared a great deal. "Blood and destruction shall be so in use that
mothers shall but smile when they behold their infantes quartered by the
hands of war," was a Shakespearean prophecy that very nearly came true;
for when nearly every house had a slaughtered son to mourn, we should
all have gone quite out of our senses if we had taken our own and our
friend's bereavements at their peace value. It became necessary to give
them a false value; to proclaim the young life worthily and gloriously
sacrificed to redeem the liberty of mankind, instead of to expiate the
heedlessness and folly of their fathers, and expiate it in vain. We
had even to assume that the parents and not the children had made the
sacrifice, until at last the comic papers were driven to satirize fat
old men, sitting comfortably in club chairs, and boasting of the sons
they had "given" to their country.
No one grudged these anodynes to acute personal grief; but they only
embittered those who knew that the young men were having their teeth
set on edge because their parents had eaten sour political grapes. Then
think of the young men themselves! Many of them had no illusions about
the policy that led to the war: they went clear-sighted to a horribly
repugnant duty. Men essentially gentle and essentially wise, with really
valuable work in hand, laid it down voluntarily and spent months forming
fours in the barrack yard, and stabbing sacks of straw in the public
eye, so that they might go out to kill and maim men as gentle as
themselves. These men, who were perhaps, as a class, our most efficient
soldiers (Frederick Keeling, for example), were not duped for a moment
by the hypocritical melodrama that consoled and stimulated the others.
They left their creative work to drudge at destruction, exactly as they
would have left it to take their turn at the pumps in a sinking ship.
They did not, like some of the conscientious objectors, hold back
because the ship had been neglected by its officers and scuttled by
its wreckers. The ship had to be saved, even if Newton had to leave his
fluxions and Michael Angelo his marbles to save it; so they threw away
the tools of their beneficent and ennobling trades, and took up the
blood-stained bayonet and the murderous bomb, forcing themselves to
pervert their divine instinct for perfect artistic execution to the
effective handling of these diabolical things, and their economic
faculty for organization to the contriving of ruin and slaughter. For
it gave an ironic edge to their tragedy that the very talents they were
forced to prostitute made the prostitution not only effective, but
Public-domain text, read in full here on John Shaqi.
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