England -- Social life and customs -- 20th century -- Drama; Upper class -- England -- Drama; World War, 1914-1918 -- Drama
The hilly country in the middle of the north edge of Sussex, looking
very pleasant on a fine evening at the end of September, is seen through
the windows of a room which has been built so as to resemble the after
part of an old-fashioned high-pooped ship, with a stern gallery; for the
windows are ship built with heavy timbering, and run right across the
room as continuously as the stability of the wall allows. A row
of lockers under the windows provides an unupholstered windowseat
interrupted by twin glass doors, respectively halfway between the stern
post and the sides. Another door strains the illusion a little by being
apparently in the ship's port side, and yet leading, not to the open
sea, but to the entrance hall of the house. Between this door and the
stern gallery are bookshelves. There are electric light switches beside
the door leading to the hall and the glass doors in the stern gallery.
Against the starboard wall is a carpenter's bench. The vice has a board
in its jaws; and the floor is littered with shavings, overflowing from a
waste-paper basket. A couple of planes and a centrebit are on the bench.
In the same wall, between the bench and the windows, is a narrow doorway
with a half door, above which a glimpse of the room beyond shows that it
is a shelved pantry with bottles and kitchen crockery.
On the starboard side, but close to the middle, is a plain oak
drawing-table with drawing-board, T-square, straightedges, set
squares, mathematical instruments, saucers of water color, a tumbler
of discolored water, Indian ink, pencils, and brushes on it. The
drawing-board is set so that the draughtsman's chair has the window on
its left hand. On the floor at the end of the table, on its right, is a
ship's fire bucket. On the port side of the room, near the bookshelves,
is a sofa with its back to the windows. It is a sturdy mahogany article,
oddly upholstered in sailcloth, including the bolster, with a couple of
blankets hanging over the back. Between the sofa and the drawing-table
is a big wicker chair, with broad arms and a low sloping back, with its
back to the light. A small but stout table of teak, with a round top
and gate legs, stands against the port wall between the door and the
bookcase. It is the only article in the room that suggests (not at all
convincingly) a woman's hand in the furnishing. The uncarpeted floor of
narrow boards is caulked and holystoned like a deck.
The garden to which the glass doors lead dips to the south before the
landscape rises again to the hills. Emerging from the hollow is the
cupola of an observatory. Between the observatory and the house is a
flagstaff on a little esplanade, with a hammock on the east side and a
long garden seat on the west.
Public-domain text, read in full here on John Shaqi.
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