I took the pack of cards, ripped off the covering, tossed aside the joker (though, really, I ought to have retained it!) and began shuffling the shiny pasteboards. I dare say that those around me sat up and took notice. It was by no means a common sight to see a man gravely shuffling a pack of cards in a public restaurant. Nobody interfered, doubtless because nobody knew exactly what to do in the face of such an act, for which no adequate laws had been provided. A waiter stood solemnly at the end of the table, scratching his chin thoughtfully, wondering whether he should report this peculiarity of constitution and susceptibility occasioning certain peculiarities of effect from impress of extraneous influences (_vide_ Webster), synonymous with idiocrasy and known as idiosyncrasy. It was quite possible that I was the first man to establish such a precedent in Monsieur Mouquin's restaurant. Thus, I aroused only passive curiosity. From the corner of my eye I observed the old gentleman opposite. He was peering over the top of his paper, and I could see by the glitter in his eye that he was a confirmed player of solitaire. The girl, however, still appeared to be in a dreaming state. I have no doubt every one who saw me thought that anarchy was abroad again, or that Sherlock Holmes had entered into his third incarnation. Finally I squared the pack, took a long-breath, and cut. I turned up the card. It was the ten-spot of hearts. I considered this most propitious; hearts being my long suit in everything but love,--love having not yet crossed my path. I put the card in my wallet, and was about to toss the rest of the pack under the table, when, a woman's voice stayed my hand. "Don't throw them away. Tell my fortune first." I looked up, not a little surprised. It was the beautiful young girl who had spoken. She was leaning on her elbows, her chin propped in her palms, and the light in her grey _chatoyant_ eyes was wholly innocent and mischievous. In Monsieur Mouquin's cellar people are rather Bohemian, not to say friendly; for it is the rendezvous of artists, literary men and journalists,--a clan that holds formality in contempt. "Tell your fortune?" I repeated parrot-like. "Yes." "Your mirror can tell you that more accurately than I can," I replied with a frank glance of admiration. She drew her shoulders together and dropped them. "I spoke to you, sir, because I believed you wouldn't say anything so commonplace as that. When one sees a man soberly shuffling a pack of cards in a place like this, one naturally expects originality." "Well, perhaps you caught me off my guard,"--humbly. "I am original. Did you ever before witness this performance in a public restaurant?"--making the cards purr. "I can not say I have,"--amused. "Well, no more have I!" "Why, then, do you do it?"--with renewed interest. "Shall I tell your fortune?" "Not now. I had much rather you would tell me the meaning of this play."