Exiles -- Russia (Federation) -- Siberia -- Fiction; Prisons -- Russia (Federation) -- Siberia -- Fiction
For his was, above all, an invitingly honest face, and one does not
come across too many such. Perhaps also there was, in the eager face
and strenuous figure, more than a suggestion that such of the good
things of life as had come his way had been rather mental than
material, had contributed more to his inner well-being than to his
outer, that the lower things held but small interest for him, and
that he had not greatly missed them.
It was a very plainly furnished room, and Paul Pavlof knew intimately
every single thing that was in it. Table, couch, chairs, white-tiled
stove, green-shaded student's lamp, all were severely simple and
without individuality, but each separate article was glorified in his
eyes by the high service to which it was dedicated. He felt like
kneeling and kissing the chairs because Hope Arskaïa used them, the
floor because she walked on it, the lamp because she read and thought
by it, for all these things pertained to the higher life.
He wondered if she had ever thought of him as she sat in the chair or
walked the floor.
He knew she had, and moreover that her thoughts of him had been
pleasant thoughts. But all the same----
There were neither books nor papers lying about. The lack of them
contributed largely to the austerity of the apartment. But books and
papers are dangerous things when one never knows at what moment the
steps of the gendarmes may be heard on the stair.
On the walls were three portraits. Paul eyed them with reverence,
and stopped his wanderings now and again to look at them, as though
they might afford him some clue to the answer Hope Ivanovna would
give to the question he had come to put to her.
The bearded man with the calm, intent face and thoughtful eyes was
her father. He died in the Schlusselburg casemates, martyred for an
idea. High thought and fixity of purpose were the dominant features
here, and Pavlof's mouth tightened somewhat as he looked at it. Hope
Ivanovna took after her father.
The sweet-faced woman was her mother--the Scotchwoman. She died a
few months before him, broken-hearted at the racking injustice of it
all. Hope Ivanovna had her beauty and more, but her spirit was her
father's.
The bright, curly-headed boy was her brother. He died before she
came into Paul's life for its brightening and embittering.
He was standing before the portraits, finding likenesses in them all
to Hope herself, when the door opened again, and Marya, with an
apologetic look and shrug, ushered in another visitor--Serge Palma, a
strapping, jovial fellow, with blue eyes and light hair, and full
beard and moustache; very well dressed, and carrying an air of
opulence and hearty good feeling towards himself and the rest of the
world; in all respects the very antithesis of the first-comer. He
stopped with a short laugh at sight of Pavlof, and Pavlof's forehead
crumpled with annoyance at sight of him.
Public-domain text, read in full here on John Shaqi.
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