The very possession of the letter given him by Leoncia and addressed to
Henry Morgan had damned him. The rest had been easy. Half a dozen
witnesses had testified to the murder and identified him as the
murderer. The Jefe Politico himself had so testified. The one cheerful
note had been the eruption on the scene of Leoncia, chaperoned by a
palsied old aunt of the Solano family. That had been sweet—the fight the
beautiful girl had put up for his life, despite the fact that it was
foredoomed to futility.
When she had made Francis roll up the sleeve and expose his left
forearm, he had seen the Jefe Politico shrug his shoulders
contemptuously. And he had seen Leoncia fling a passion of Spanish
words, too quick for him to follow, at Torres. And he had seen and heard
the gesticulation and the roar of the mob-filled courtroom as Torres had
taken the stand.
But what he had not seen was the whispered colloquy between Torres and
the Jefe, as the former was in the thick of forcing his way through the
press to the witness box. He no more saw this particular side-play than
did he know that Torres was in the pay of Regan to keep him away from
New York as long as possible, and as long as ever if possible, nor than
did he know that Torres himself, in love with Leoncia, was consumed with
a jealousy that knew no limit to its ire.
All of which had blinded Francis to the play under the interrogation of
Torres by Leoncia, which had compelled Torres to acknowledge that he had
never seen a scar on Francis Morgan’s left forearm. While Leoncia had
looked at the little old judge in triumph, the Jefe Politico had
advanced and demanded of Torres in stentorian tones:
“Can you swear that you ever saw a scar on Henry Morgan’s arm?”
Torres had been baffled and embarrassed, had looked bewilderment to the
judge and pleadingness to Leoncia, and, in the end, without speech,
shaken his head that he could not so swear.
The roar of triumph had gone up from the crowd of ragamuffins. The judge
had pronounced sentence, the roar had doubled on itself, and Francis had
been hustled out and to his cell, not entirely unresistingly, by the
gendarmes and the Comisario, all apparently solicitous of saving him
from the mob that was unwilling to wait till ten next morning for his
death.
“That poor dub, Torres, who fell down on the scar on Henry!” Francis was
meditating sympathetically, when the bolts of his cell door shot back
and he arose to greet Leoncia.
But she declined to greet him for the moment, as she flared at the
Comisario in rapid-fire Spanish, with gestures of command to which he
yielded when he ordered the jailer to remove the peons to other cells,
and himself, with a nervous and apologetic bowing, went out and closed
the door.
And then Leoncia broke down, sobbing on his shoulder, in his arms: “It
is a cursed country, a cursed country. There is no fair play.”
Public-domain text, read in full here on John Shaqi.
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