Hearts to mend: A fantasy in one actOverstreet, H. A. (Harry Allen)
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Hearts to mend: A fantasy in one act
Overstreet, H. A. (Harry Allen)
American drama -- 20th century
Is it--is it--ah--I know where it is. It’s behind the pewter pot!
PIERROT
Right!
(_She runs up and gets the package, opens it and discovers a necklace
of gay, red beads._)
PIERRETTE
Why--Pierrot--for me?
PIERROT (_making believe to consider_)
Well, that depends. I thought it was for you. But if you’re going
away--
PIERRETTE
But why did you get it for me?
PIERROT
Do you want to know, sweetheart?
PIERRETTE
Yes.
Pierrot (_dances_)
Old Mister Pierrot
Went to a shop;
Then he came back again--
Hop--skip--hop!
PIERRETTE
But that isn’t the _reason_, Pierrot. Be sensible.
PIERROT (_continues_)
Old Mister Pierrot
Was blue, blue, blue--
Along came a tinker-man
And showed him what to do!
PIERROT
Pierrette, I’ve come to a conclusion!
PIERRETTE (_apprehensively_)
Not another conclusion, Pierrot?
PIERROT
Yes. I’m great on conclusions. It’s this: that most husbands, with
adorable wives, are donkeys!
PIERRETTE
Oh, but I knew that long ago--ever since I married you.
PIERROT
You knew it all that time?
PIERRETTE
Of course.
PIERROT
Then how were you able to put up with me?
PIERRETTE
Oh, I knew you’d discover it some day; and when you did discover it,
you’d be such a _nice_ donkey. Pierrot, I’ve come to a conclusion
myself!
PIERROT (_apprehensively_)
You, too, Pierrette? What is it?
PIERRETTE
That most wives, with clever husbands, are silly geese!
PIERROT (_heartily_)
Why, I’ve known that, Pierrette, ever since I married _you_. I didn’t
think I ought to tell you, though.
PIERRETTE
And I don’t blame you, Pierrot--not for a minute--for wanting me to go
away.
PIERROT (_fervently_)
I want you back, now!
PIERRETTE
But I _am_ going away, Pierrot!
PIERROT
Pierrette!
PIERRETTE
Not now, Pierrot--but some time!
(_As the curtain falls, they bend quickly toward each other, their
hands stretched out behind, and kiss._)
Four Plays of the Free Theater:
“The Fossils,” “The Serenade,” “Francoise’ Luck,” “The Dupe.”
Authorized Translation with Introduction by BARRETT H. CLARK
_The Contents of this Volume are_:
Preface by----Brieux
Antoine and the Free Theater, by Barrett H. Clark.
_The Fossils_, by Francois de Curel. Rather short three-act play, first
produced in 1892. Time, the present. A problem play of family pride and
desire to perpetuate itself. Characters: The Duke de Chartmelle, Robert
de Chartmelle, Nicolas, a Farmer, a Country Neighbor, a Servant, Claire
de Chartmelle, Helen Vatrin, a Nun.
_The Serenade_, by Jean Jullien, a Bourgeois Study in three rather
short acts; first produced in 1887. Characters: Theodore Cottin,
Calixte Poujade, Maxine Champanet, Prosper Poujade, Dumoulin, Fournier,
Nathelie Cottin, Genevieve Cottin, Celina Roulard, Leocadie, Dumoulin,
Clemma, Dodo.
_Francoise’ Luck_, by Georges de Porto-Riche. Medium length, one-act
comedy; first produced in 1888. Characters: Marcel Desroches, Guerin,
Jean, Francois, Maseleine.
Public-domain text, read in full here on John Shaqi.
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