‘Ye’ll come in and say a word to mother, Steenie?’ said Kirsty, as they
came near the door of the house.
It was a long, low building, with a narrow paving in front from end to
end, of stones cast up by the plough. Its walls, but one story high,
rough-cast and white-washed, shone dim in the twilight. Under a thick
projecting thatch the door stood wide open, and from the kitchen, whose
door was also open, came the light of a peat-fire and a fish-oil-lamp.
Throughout the summer Steenie was seldom in the house an hour of the
twenty-four, and now he hesitated to enter. In the winter he would keep
about it a good part of the day, and was generally indoors the greater
part of the night, but by no means always.
While he hesitated, his mother appeared in the doorway of the kitchen.
She was a tall, fine-looking woman, with soft gray eyes, and an
expression of form and features which left Kirsty accounted for.
‘Come awa in by, Steenie, my man!’ she said, in a tone that seemed to
wrap its object in fold upon fold of tenderness, enough to make the
peat-smoke that pervaded the kitchen seem the very atmosphere of the
heavenly countries. ‘Come and hae a drappy o’ new-milkit milk, and a
piece (_a piece of bread_).’
Steenie stood smiling and undecided on the slab in front of the
doorstep.
‘Dreid naething, Steenie,’ his mother went on. ‘There’s no ane to
interfere wi’ yer wull, whatever it be. The hoose is yer ain to come
and gang as ye see fit. But ye ken that, and Kirsty kens that, as
weel’s yer father and mysel.’
‘Mother, I ken what ye say to be the trowth, and I hae a gran’ pooer o’
believin the trowth. But a’body believes their ain mither: that’s i’
the order o’ things as they war first startit! Still I wud raither no
come in the nicht. I wud raither haud awa and no tribble ye wi’ mair o’
the sicht o’ me nor I canna help--that is, till the cheenge come, and
things be set richt. I dinna aye ken what I’m aboot, but I aye ken ’at
I’m a kin’ o’ a disgrace to ye, though I canna tell hoo I’m to blame
for ’t. Sae I’ll jist bide theroot wi’ the bonny stars ’at’s aye
theroot, and kens a’ aboot it, and disna think nane the waur o’ me.’
‘Laddie! laddie! wha on the face o’ God’s yerth thinks the waur o’ ye
for a wrang dune ye?--though wha has the wyte o’ that same I daurna
think, weel kennin ’at a’thing’s aither ordeent or allooed, makin
muckle the same. Come winter, come summer, come richt, come wrang, come
life, come deith, what are ye, what can ye be, but my ain, ain laddie!’
Steenie stepped across the threshold and followed his mother into the
kitchen, where the pot was already on the fire for the evening’s
porridge. To hide her emotion she went straight to it, and lifted the
lid to look whether boiling point had arrived. The same instant the
stalwart form of her husband appeared in the doorway, and there stood
for a single moment arrested.
Public-domain text, read in full here on John Shaqi.
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