As for Steenie, he looked the same loose lank lad as before, with a
smile almost too sad to be a smile, and a laugh in which there was
little hilarity. His pleasures were no doubt deep and high, but seldom,
even to Kirsty, manifested themselves except in the afterglow.
Phemy was now almost a woman. She was rather little, but had a nice
figure, which she knew instinctively how to show to advantage. Her main
charm lay in her sweet complexion--strong in its contrast of colours,
but wonderfully perfect in the blending of them: the gradations in the
live picture were exquisite. She was gentle of temper, with a shallow,
birdlike friendliness, an accentuated confidence that everyone meant
her well, which was very taking. But she was far too much pleased with
herself to be a necessity to anyone else. Her father grew more and more
proud of her, but remained entirely independent of her; and Kirsty
could not help wondering at times how he would feel were he given one
peep into the chaotic mind which he fancied so lovely a cosmos. A good
fairy godmother would for her discipline, Kirsty imagined, turn her
into the prettiest wax doll, but with real eyes, and put her in a glass
case for the admiration of all, until she sickened of her very
consciousness. But Kirsty loved the pretty doll, and cherished any
influence she had with her against a possible time when it might be
sorely needed. She still encouraged her, therefore, to come to
Corbyknowe as often as she felt inclined. Her father never interfered
with any of her goings and comings. At the present point of my
narrative, however, Kirsty began to notice that Phemy did not care so
much for being with her as hitherto.
She had been, of course, for some time the cynosure of many
neighbouring eyes, but had taken only the more pleasure in the
cynosure, none in the persons with the eyes, all of whom she regarded
as much below her. To herself she was the only young lady in Tiltowie,
an assurance strengthened by the fact that no young man had yet
ventured to make love to her, which she took as a general admission of
their social inferiority, behaving to all the young men the more
sweetly in consequence.
The tendency of a weakly artistic nature to occupy itself much with its
own dress was largely developed in her. It was wonderful, considering
the smallness of her father’s income, how well she arrayed herself. She
could make a poor and scanty material go a great way in setting off her
attractions. The judicial element of the neighbourhood, not content
with complaining that she spent so much of her time in making her
dresses, accused her of spending much money upon them, whereas she
spent less than most of the girls of the neighbourhood, who cared only
for a good stuff, a fast colour, and the fashion: fit to figure and
fitness to complexion they did not trouble themselves about. The
possession of a fine gown was the important thing. As to how it made
them look, they had not imagination enough to consider that.
Public-domain text, read in full here on John Shaqi.
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