He lifted his hat to Phemy, looked again, and recognised her. They had been friends when she was a child, but since he saw her last she had grown a young woman. She was gliding past him with a pretty bow, and a prettier blush and smile, when he stopped and held out his hand. ‘It’s not possible!’ he said; ‘you can’t be little Phemy!--Yet you must be!--Why, you’re a grown lady! To think how you used to sit on my knee, and stroke my face! How is your father?’ Phemy murmured a shy answer, a little goose but blushing a very flamingo. In her heart she saw before her the very man for her hero. A woman’s hero gives some measure, not of what she is, hardly of what she would like to be, but of what she would like to pass for: here was the ideal for which Phemy had so long been waiting, and wherein consisted his glory? In youth, position, and good looks! She gazed up at him with a mixture of shyness and boldness not uncommon in persons of her silly kind, and Francis not only saw but felt that she was an unusually pretty girl: although he had long ceased to admire his mother, he still admired the sort of beauty she once had. He saw also that she was very prettily dressed, and, being one of those men who, imagining themselves gentlemen, feel at liberty to take liberties with women socially their inferiors, he plucked a pheasant-eye-narcissus in the border, and said--at the same time taking the leave he asked,-- ‘Let me finish your dress by adding this to it! Have you got a pin?--There!--all you wanted to make you just perfect!’ Her face was now in a very flame. She saw he was right in the flower he had chosen, and he saw, not his artistic success only, but her recognition of it as well, and was gratified. He had a keen feeling of harmony in form and colour, and flattered women, while he paraded his own insight, by bringing it to bear on their dress. The flower, in its new position, seemed radiant with something of the same beauty in which it was set; it was _like_ the face above it, and hinted a sympathetic relation with the whole dainty person of the girl. But in truth there was more expression in the flower than was yet in the face. The flower expressed what God was thinking of when he made it; the face what the girl was thinking of herself. When she ceased thinking of herself then, like the flower, she would show what God was thinking of when he made her.