His writings are in parts just as utterly unequal as his character. In them he gave vent to the wild vehemence of his nature; they are disconnected and contradictory, and were often written in the direst poverty. They contain a medley of all kinds of astrological and chiromantic superstition, yet lit up here and there with profound and brilliant flashes; there are Alexandrine and Cabalistic mysteries side by side with perfectly lucid psychological observations of his own. He treated astrologically the life and deeds of Christ. His positive merit consists, however, rather in the stimulus which he gave to original production, and in this direction he exercised an important influence on his times. He boasted of the originality and novelty of his ideas, and the craze to be original drove him to the strangest devices. This represents the first form taken by the newly awakened and energizing reason in its spontaneous activity; to be new and different from others was regarded as tantamount to possessing a private claim to science. 2. CAMPANELLA. Tommaso Campanella, a student of Aristotle, represents just such another medley of all possible dispositions. He was born at Stilo, in Calabria, in 1568, and died at Paris in 1639. Many of his writings still remain to us. For seven-and-twenty years of his life he was kept in strict imprisonment at Naples.[67] Such men as he aroused enormous interest and gave great offence, but on their own account they were productive of very little result. We have still to make special mention of Giordano Bruno and Vanini as belonging to this period. 3. BRUNO.