But if Art embodies for us the unseen and the eternal, it embodies it in the stone, the colour, the tone, and the word: and these are by themselves only dead matter. To the untutored eye and taste the finest picture-gallery is only a weariness: when the national life has drifted away, the sacred book and the image are but idols and enigmas. “The statues are now corpses from which the vivifying soul has fled, and the hymns are words whence faith has departed: the tables of the Gods are without spiritual meat and drink, and games and feasts no longer afford the mind its joyful union with the being of being. The works of the Muse lack that intellectual force which knew itself strong and real by crushing gods and men in its winepress. They are now (in this iron age) what they are for us,—fair fruits broken from the tree, and handed to us by a kindly destiny. But the gift is like the fruits which the girl in the picture presents: she does not give the real life of their existence, not the tree which bore them, not the earth and the elements which entered into their substance, nor the climate which formed their quality, nor the change of seasons which governed the process of their growth. Like her, Destiny in giving us the works of ancient art does not give us their world, not the spring and summer of the ethical life in which they blossomed and ripened, but solely a memory and a suggestion of this actuality. Our act in enjoying them, therefore, is not a Divine service: were it so, our mind would achieve its perfect and satisfying truth. All that we do is a mere externalism, which from these fruits wipes off some rain-drop, some speck of dust, and which, in place of the inward elements of moral actuality that created and inspired them, tries from the dead elements of their external reality, such as language and historical allusion, to set up a tedious mass of scaffolding, not in order to live ourselves into them, but only to form a picture of them in our minds. But as the girl who proffers the plucked fruits is more and nobler than the natural element with all its details of tree, air, light, &c. which first yielded them, because she gathers all this together, in a nobler way, into the glance of the conscious eye and the gesture which proffers them; so the spirit of destiny which offers us those works of art is more than the ethical life and actuality of the ancient people: for it is the inwardising of that mind which in them was still self-estranged and self-dispossessed:—it is the spirit of tragic destiny, the destiny which collects all those individualised gods and attributes of substance into the one Pantheon. And that temple of all the gods is Mind conscious of itself as mind(17).”