and not yet grown to absolute self-certainty(19).” Religion therefore, which as it first appeared in art-worship had yet to realise its essential inwardness or spirituality, so has now to overcome the antithesis in which its (the religious) consciousness stands to the secular. For the peculiarly religious type of mind is distinguished by an indifference and even hostility, more or less veiled, to art, to morality and the civil state, to science and to nature. Strong in the certainty of faith, or of its implicit rest in God, it resents too curious inquiry into the central mystery of its union, and in its distincter consciousness sets the foundation of faith on the evidence of a fact, which, however, it in the same breath declares to be unique and miraculous, the central event of the ages, pointing back in its reference to the first days of humanity, and forward in the future to the winding-up of the business of terrestrial life. Philosophy, according to Hegel’s conception of it, does but draw the conclusion supplied by the premisses of religion: it supplements and rounds off into coherence the religious implications. The unique events in Judea nearly nineteen centuries ago are for it also the first step in a new revelation of man’s relationship to God: but while it acknowledges the transcendent interest of that age, it lays main stress on the permanent truth then revealed, and it insists on the duty of carrying out the principle there awakened to all the depth and breadth of its explication. Its task—its supreme task—is to _explicate religion_. But to do so is to show that religion is no exotic, and no _mere_ revelation from an external source. It is to show that religion is the truth, the complete reality, of the mind that lived in Art, that founded the state and sought to be dutiful and upright: the truth, the crowning fruit of all scientific knowledge, of all human affections, of all secular consciousness. Its lesson ultimately is that there is nothing essentially common or unclean: that the holy is not parted off from the true and the good and the beautiful.