Heimweh; The siren; The loaded gun; Liebereich; "Iupiter Tonans;" "Sis;" Thor's emerald; GuileLong, John Luther
General
Heimweh; The siren; The loaded gun; Liebereich; "Iupiter Tonans;" "Sis;" Thor's emerald; Guile
Long, John Luther
American fiction -- 20th century; Short stories, American
It seems that Brassid, weary and seeking seclusion, arrived on the last
train of a Wednesday night. The man who carried his bag up from the
little station told him that the Crazy-Quilt House was a sanatorium for
women with head-trouble. It appeared that Brassid and the porter, who
was also many other things at the hotel, would be the only men in the
house—a state of affairs which immediately created a subtle camaraderie
between the two men, though the porter was colored.
“Call me in time for the first train up to-morrow morning,” said
Brassid, as the friendly porter dragged himself out of his room.
“It goes at six o’clock, sir,” warned the porter, perhaps wishing to
detain him a little longer, for already the porter liked Brassid
amazingly. Did I mention that every one did this, in spite of his
ferocity?
“No matter,” said Brassid, shivering at the thought of the unearthly
hour—and of the ladies with head-trouble—Brassid, who composed poems in
bed until ten in the morning!
“All right, sir,” said the porter, as if warning Brassid that he would
regret it.
However, that was why Brassid appeared at the dinner-table in a
dinner-coat—because he knew that the invalid ladies would be there—and
that thus it would be easier for him.
There were six, and one vacant place—opposite. The lady on his left put
up her lorgnon in haste. The one at the top of the table put something
like a pepper-box into her ear and leaned to listen.
“Lovely weather!” said Brassid.
“Rheumatic weather!” said the lady with the pepper-box.
“It’s no such thing!” said the lady who took snuff. “It’s asthmatic!”
Something dropped with a small clatter into Brassid’s plate. The lady on
his left flung her lorgnon to her eyes. Miss Carat jammed her pepper-box
to her ear. Some one laughed, then checked it.
An old locket, in the fashion of a heart, lay in Brassid’s plate. A bit
of ribbon gave evidence of some severed attachment. Brassid was
hopelessly fitting back to its place a flake of blue enamel.
He tried to discourage the interest in his keepsake by covering it with
his napkin. Then he looked up. The vacant seat was occupied, and the
lady was trying to smother her laughter.
Brassid got red and crunched the napkin in a way which said plainly, “So
it was _you_ who laughed!”
She did it again.
He restored the piece of napery with a brave nonchalance, and took up
the locket.
The lady’s eyes retorted as plainly as her lips could have done, “Too
late!”
He remembered precisely how they did it,—out of the tops of their firm
white lids,—with a movement which was personal, a fascination which was
irresistible. He was to read other speeches of these eyes, often
repeated. But he was to read this one only once more.
Well, Brassid broke his guard and laughed with her.
“It is no laughing matter,” said the lady with the lorgnon, fixing the
lady who had laughed with its stare.
Public-domain text, read in full here on John Shaqi.
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