In this seething ferment of change nothing altered more than the
circumstances of John Hampstead. He had buried himself and found
himself. He had sought relief in a self-abandoning plunge into
obscurity, yet never had a minister so humble gained such burning
prominence. The town hung on him. Men who never went to church at all
leaned upon him and upon the things they read about him from day to day.
He had gone upon a thousand missions of mercy; he had fought for his
lambs like a lion; he had faced calumny; he had dared personal assault.
He had triumphed in all his conflicts and stood out before this
sprawling, half metropolitan, half-suburban community of half a million
people as a man whom it trusted—too much almost.
Under his ministry in these five years, the wretched little chapel had
grown into the great All People’s Church. To attend All People’s was a
fad; to belong to it almost a fashion. The newspapers daily made its
pastor into a hero, and the moral element in the population looked upon
him as its most fearless champion and aggressive leader.
But into this situation and into All People’s one morning a woman came
walking, with power to shake it more violently than an earthquake could
have done.
The choir was just disposing of the anthem. The Reverend John Hampstead
sat, but not at ease, in his high pulpit chair, which, somehow, this
morning reminded him of the throne chair of Denmark upon its stage in
that barn of a theater which at this very instant was only five
years—and five miles—distant; the chair from which he used to arise
suddenly to receive the rapier thrust of his nephew, Hamlet. This
morning a vague uneasiness filled him, as if he were about to receive a
real rapier thrust.
The minister’s sermon outline was in his hand, but his eye roamed the
congregation. It took note of who was there and who was absent; it took
note of who came in; but suddenly the eye ceased to rove and started
forward in its socket.
Deacon Morris was escorting a lady down the right-center aisle. To
distinction of dress and bearing the newcomer added a striking type of
beauty. Her figure was tall, combining rounded curves and willowy
grace. In the regularity of its smooth chiseling, her profile was purely
Greek. The eyes were dark and lustrous, the cheeks had a soft bloom
upon them, the lips were ripely red; and if art had helped to achieve
these contrasts with a skin that was satiny smooth and of ivory
creaminess, it was an art contributory and not an art subversive.
"More beautiful than ever!" murmured the minister with the emphasis of
deep conviction.
The lady accepted a sitting well to the front. Her head was reverently
bowed for an interval and then raised, while the black eyes darted one
illuminative glance of recognition at the man in the pulpit, a glance
that made the minister start again and confess to himself an error by
admitting beneath his breath: "No, not more beautiful—more powerful!"
Public-domain text, read in full here on John Shaqi.
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