For a man with John Hampstead’s chivalrous nature to put a question like
this to himself was to answer it in the affirmative. Temptation comes
to the minister as to other men, and it had come to John. But had not
Marien Dounay herself taught him of what weakness to beware? That flesh
is flesh? That juxtaposition is danger? Besides, should not the
disastrous consequences which had followed from his contacts with the
woman have made him forever immune from the effect of her presence?
John approached and knocked upon the door.
His knock was greeted with a sound like the purr of an expectant kitten,
and the knob was turned by Marien herself, with a sudden vigor which
indicated that she had bounded instantly to admit him.
Her manner, in most startling contrast to that which she had displayed
at the church, was sparklingly vivacious; but her dress was more
disconcerting than her manner; in fact, to the minister, it seemed that
very same negligee gown whose pleats of shimmering black with their
splotches of red, had clung so closely to her form in those
never-to-be-forgotten hours in the little apartment on Turk Street in
San Francisco. Her hair, too, flowed unconfined as then. The picture
called up overwhelming memories, against which the minister in the man
struggled valiantly.
"I have not worn it since, until to-night," the woman purred softly,
happy as a child over his glance of recognition; but when Hampstead, in
uncompromising silence, stood surveying her critically, she asked archly
and a bit anxiously, "Are you shocked?"
"Well," he replied a trifle severely, "you must admit that this is not
sackcloth and ashes."
"It is my soul, not my body, that is in mourning," Marien urged
apologetically, trying the effect of a melting glance, after which,
walking half the length of the room she turned again and invited him to
lay off his overcoat and be seated. John could not resist the playful
calculation of her manner without seeming heartless; and yet he did
resist it, standing noncommittally while his eyes sought the
circumference of the room inquiringly.
"And look!" went on Marien enthusiastically, for she was trying
pitifully by sheer force of personality to recreate the atmosphere of
their old relationship in its happiest moments. "See, here is the Roman
chair, or at least one like it; and there the divan, piled high with
cushions; I am as fond of cushions as ever. You shall sit where you
sat; I shall recline where I reclined. We will stage the old scene
again."
"Not the old scene," replied the minister, with quiet emphasis, feeling
just a little as if he had been trapped.
Public-domain text, read in full here on John Shaqi.
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