John leaped eagerly at this permission, but there was design in his
devotion to the new prescription of which the doctor knew nothing. On
the fifth day of his confinement, Tayna and Dick, who had been coming
every afternoon to sit for an hour in the semi-darkness with their
uncle, surprised the interned one doing odd contortions in the depths of
his room: twisting his wrists; standing on one foot like a stork and
twirling his great heel and toe from the knee in some eccentric
imitation of a ballet dancer; then creeping to and fro across the room
in a silly series of bowings and scrapings and salutings that threw Dick
into irrepressible laughter. Caught shamefacedly in the very midst of
these absurdities, John confessed to the two of them what he would at
the moment have confessed to no other living being—last of all to
Bessie.
"I am taking lessons," he said, "from an actor. He is going to make me
easy and graceful, so people won’t call me awkward any more—nor homely,"
and he looked significantly at Tayna.
"Oh," the children both gasped respectfully, and repeated with a kind of
awe in their voices: "From an actor!"
"Yes. Every evening the doctor lets me go for a walk. On every other
one of these walks I go to the actor’s hotel, and he teaches me."
"Awh! An actor-r-r!" breathed Dick again, his features depicting
profoundness both of impression and speculation.
"Say!" he proposed presently. "I would rather you would be an actor
than a president, anyway."
John laughed. "I am not going to be an actor," he said, "I am only
going to be polished till I shine like a human diamond." And then he
devoted himself to the entertainment of his callers.
"Remember! Never again the typewriter!" the physician adjured sternly,
when the fortnight of John’s captivity was done. For although conveying
this verdict immediately to Mitchell, the doctor had postponed its
announcement to his patient till his discharge from the hospital. John
was stunned. The typewriter was his bread. At first he rebelled, but
with a rush like the swirl of waters over his head, the memory of that
night when he was blind for an hour came to him and humbled him.
With the trembling courage of a coward, he opened the door of room 513;
saw with sickening heart the strange face at his desk, shook the flabby
hand of Heitmuller, and inwardly braced himself to enter for the last
time between the double doors, where presently he confessed his plight
as if it had been a crime.
"You don’t imagine we would let you go, do you?" Mr. Mitchell asked,
while an expression of amazement grew upon his face till it became a
laugh. "Why, Jack"—Mr. Mitchell had never called him Jack before—"we
should have to pay you a salary just to stick around and keep the rest
of us straight."
Public-domain text, read in full here on John Shaqi.
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