"It is," the minister replied quietly, but in a voice of vibrant,
carrying quality that must have penetrated to the outward corridor, and
seemed to sweep a sense of moral power to every listener’s ear.
The voice was answered by a sigh, involuntary and composite, that broke
from somewhere beyond the rail. The hearing was on. The unbelievable
had come to pass: John Hampstead, pastor of All People’s Church, was
actually standing trial like a common felon.
Briefly and casually the Court instructed Hampstead to his rights and
that he was entitled to be represented by counsel of his own choosing,
or to have counsel appointed for him by the Court.
The minister, still standing and speaking with deliberate composure,
thanked the Court for its consideration, but stated that without
disrespect to the legal profession which he greatly honored, he did not
feel that his cause required expert defense; that in his experience he
had acquired a considerable knowledge of court practice and would depend
upon that, trusting his Honor to put him right if he stumbled into
wrong.
The judge nodded comprehension and assent, and the defendant sat down.
"Are the People ready?" inquired the Court.
"We are," answered the crisp, crackly voice of Searle.
"And the defense?"
Hampstead, his arms folded passively, responded with a slight
affirmative bow.
"We will call Miss Alice Higgins," announced Searle, his voice this time
reflecting that sense of the dramatic which hung over the court room
like a cloud, impregnating its atmosphere as if with an electric charge.
The woman known as Marien Dounay had been sitting at the right of
Searle, gowned in tailored black, her person stripped of everything that
looked like ornament. The wide, flat brim of her hat was carefully
horizontal and valanced by a curtain of veiling, which, while black and
large of cord, was wide meshed enough to show that the very colors of
her cheeks were subdued, as if her whole person were in mourning over
the somber duty to which she regretfully found herself compelled. And
yet the beauty of her features, adorned by the black and sweeping
eyebrows and lighted by the smouldering jet of her eyes, was never more
striking than now, when, after standing for a moment, tall and graceful
on the raised platform of the witness chair, she sat down, and leaning
back composedly, swung about to where her glance could alternate between
the eye of the Court who would hear her and that of Searle who would
interrogate.
But though her composure appeared complete, and never upon any stage had
her magnetic presence more completely centered all attention upon itself
than in this melodrama of real life, it was none the less noticeable to
the discerning that she had not glanced at Hampstead, whose sleeve her
arm must have brushed in passing to the witness chair; and that she
still avoided looking where he sat, but six feet distant, his own eyes
resting upon her face with an odd, speculative light in them.
Public-domain text, read in full here on John Shaqi.
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