The minister’s exclamation was short and sharp, like a bark of rage.
His face was drawn until his mouth was a seam, and his eyes had shrunk
to two shafts of light, "Miss Dounay! That is God’s secret. If you had
spoken, I should have—" He ceased to speak but held up hands that
clenched and unclenched.
The actress was feeling confident now. She had goaded this man to rage.
Beyond rage might lie weakness and surrender. She threw back her head
and laughed.
"Yes, I will finish it for you. You would have been inclined to
strangle me; but I did not tell him. Yet not for your reason, but for
mine. So long as you rest under the charge, your enemies gnash; your
friends turn from you. Instead of being insulated from me by all, you
are insulated from all by me. There is no one left but me. I love you.
I am beautiful, rich, with the glamour of success upon me. I can
override anything; defy anything. I can be yours—altogether yours. You
can be mine—altogether mine. You can leave these shallow, ungrateful
gossips and scandalmongers to prey upon each other, while you and I go
away to an Eden of our own."
The actress paused, breathless and again to mark effects. The
minister’s face had resumed its normal benignity of expression. He was
gazing at her thoughtfully, contemplatively. Marien took fresh hope,
knowing upon second thought now, as she had known all along, that she
could not successfully tempt this man by a life of mere luxurious
emptiness. Falling into tones of yet more confiding intimacy, she
continued:
"Besides, John, I am not jealous of your genius any more. My love has
surged even over that. You have still a great dramatic career before
you. You shall come into my company. You shall have every opportunity.
Within two years you shall be my leading man; within five, co-star with
me. Think of it. Your heart is still in the actor’s art. Acting is
religion. After God, the actor is the greatest creator. He alone can
simulate life. The stage is the most powerful pulpit. Come. We will
write your life’s story into a play. We will play the faith and
fortitude which you have shown into the very soul of America, like a bed
of moral concrete! Are you not moved at that?"
She paused, standing with head upon one side, and the old, alluring,
coaxing glances stealing up from beneath the coquettish droop of her
lids.
"No," Hampstead replied seriously. "I am not moved by it at all. Had
you made this speech to me five years ago, I should have been in
transports. To-day the art of living appeals to me beyond the art of
acting. I have no doubt I feel as great a zest, as great a creative
thrill in standing true in the position in which you have placed me as
you ever can in the most ecstatic raptures of the mimetic art. No,
Marien," and his tone was conclusive, "it makes no appeal to me."
Public-domain text, read in full here on John Shaqi.
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