John’s name was never mentioned. Mowrey called him by the name of his
part, Ursus. Ursus was "on" in the first act, but with nothing to do,
and his eyes were wide with watching. One woman in particular attracted
him. She was tall and shapely, clad in a close-fitting tailored suit,
with hat and veil that seemed to match both her garments and herself.
She moved through her part with a kind of distinguished nonchalance, her
veil half raised, and a vagrant fold of it flicking daringly at a rosy
spot on her cheek when she turned suddenly; while in her gloved hands
she held a short pencil with which, from time to time, additional stage
directions were noted upon the pages of her part. This accomplished and
really beautiful young actress was Miss Marien Dounay, one of the two
leading women of the company.
Hampstead was inexperienced of women. He confessed it now to himself.
But this was to be the day of his opportunity, and he felt the blood of
adventure leaping in his veins. In his consciousness, too, floated
little arrows like indicators, and as if by common agreement, they
pointed their heads toward Miss Dounay.
If it were she now who played Lygia? Yes; it was she. They were
calling her Lygia. Hampstead smiled to himself. Presently he chuckled
softly, and the chuckle appeared to loose a small avalanche of new-born
emotions that leaped and jumbled somewhere inside.
But the first encounter was disappointing. Miss Dounay seized him by
the arm, without a glance,—her eyes being fixed on Mowrey,—and led the
big man out of the scene exactly as if he had been a wooden Indian on
rollers.
"Now," she said, "you have just carried me off." Her voice had
wonderful tones in it, tones that started more avalanches inside; but
she appeared as unconscious of the tones and their effect as of him.
She was making another note in her part.
"Better practice that ’carry off stage’ before we try it at rehearsal,"
called the sharp voice of Mowrey. His eyes and his remark were
addressed to Miss Dounay. Miss Dounay nodded.
"Shall we?" she said, and looked straight at Hampstead, giving him his
first glance into self-confident eyes which were clear, brownish-black,
with liquescent, unsounded depths. In form it was a question she had
asked; in effect it was a command from a very cool and business-like
young person.
"I presume we had better," said John, affecting a foolish little laugh,
which did not, however, get very far because the earnest air of Miss
Dounay was inhospitable to levity.
"See here!" she instructed. "I throw up my arms in a faint. My left
arm falls across your right shoulder. At the same time I give a little
spring with my right leg, and I throw up my left leg like this. At the
same instant you throw your right arm under my shoulders, your left arm
gathers my legs; I will hold ’em stiff. There!"
Public-domain text, read in full here on John Shaqi.
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