But if to the congregation the entry of the minister and the woman of
mystery by his side was sensation number one in this evening of
sensations, the entry of the Angel of the Chair was sensation number
two. Mrs. Burbeck, propelled as usual by Mori, the Japanese, was just
appearing at the side door; and this time there was no trundling to the
center between two factions. Instead, with Japanese intentness of
purpose, and as if he had his instructions beforehand, Mori drove the
chair straight across the neutral ground to the end of the Hampstead
pew.
The church, seeing this act, grasped instantly its solemn meaning. The
house of Burbeck was divided against itself. Mrs. Burbeck had often
disapproved of her husband’s course in church leadership, but she had
never taken sides against him. To-night she did so. The issue was too
great, too fundamental, to do otherwise. That it hurt her painfully was
evident. Her face had lost its smile. The pallor of her cheeks was more
wax-like than ever, and there was a droop in the corners of her mouth
that no physical suffering had effected. But the lips were tightly
compressed, and the valiant spirit of the woman looked resolutely out of
her eyes. Those near and watching the face of her husband saw that this
look affected him; saw him start as if he had hardly expected such
action, hardly realized what it would be to find her thus opposing him.
They even noted that a fleeting expression of doubt, of sudden loss of
faith in his own course, came into the eyes of the man.
Nevertheless, although with a sigh at the burdens his faithfulness to
the Lord so often compelled him to bear, Elder Burbeck set his spirit
sternly upon its task. He was the Nemesis of God. He would not shrink
though the flame scorched him, the innocent, while it consumed the
guilty.
Yet from the moment that this glance had passed between the husband and
the wife, it appeared that a gloom of tragedy settled upon the
gathering. Again the congregation sank of itself to awed silence, so
intense that a cough, the clearing of a throat, the dropping of a
hymn-book into a rack, echoed hollowly. Slight movements took on
augmented significance. Thoughts boomed out like words, and looks had
all the force of blows.
The polity of All People’s was ultra-congregational. The proceedings had
the form of order, but were primitive and practical; yet every step,
voice, motion, detail, took on an exaggerated sense of the ominous, as
if a man’s body were on trial instead of merely his soul.
Public-domain text, read in full here on John Shaqi.
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